Performing, Engaging, Knowing

Performing, Engaging, Knowing

This volume includes the proceedings from the symposium “Performing, Engaging, Knowing”. In 2020, The ICTM Study Group on Applied Ethnomusicology, the Lucerne School of Music, the Department of Composition, Electroacoustics, and Tonmeister Education of mdw – University of Music and Performing Arts Vienna, and the Swiss Society for Ethnomusicology hosted a gathering with the same name of ethnomusicologists and artistic researchers in Lucerne, Switzerland, from 26 to 29 August 2020.

Introduction

Camp, Marc-Antoine, Natalie Kirschstein, Johannes Kretz, Wei-ya Lin, Huib Schippers, and Yannick Wey. "Performing, Engaging, Knowing: Introduction." https://doi.org/10.5281/zenodo.7274292 

 

Contributions

Bhagwati, Sandeep. “How Musical is Living.” https://doi.org/10.5281/zenodo.7273918

Biró, Dániel Péter, and Peter Van Kranenburg. “Composing Spinoza’s Ethics: Charting a Migration of Spirit Through Sound.” https://doi.org/10.5281/zenodo.7273964

Catinin, Juliana. “Constructing Emancipation: How Can Ethnomusicology Help?” https://doi.org/10.5281/zenodo.7273969

Corrêa, Antenor Ferreira. “Terra Cy’ndida: An Artistic Collaboration with the Wapichana.” https://doi.org/10.5281/zenodo.7273988

Fischer, Christine. “Beyond ‘Authenticities’? Preliminary Thoughts on Epistemologies of Early Music.” https://doi.org/10.5281/zenodo.7273998

Fischer-Lessiak, Christina. “Learning Through Listening: An Autoethnographic Approach.” https://doi.org/10.5281/zenodo.7274007

Giri, Subash. “Engaging Communities in Research: Applied Ethnomusicology, Shared Knowledge production, and Cultural Empowerment in the Nepalese Diaspora Community of Edmonton, Canada.” https://doi.org/10.5281/zenodo.7274018

Iten, Moses. “The DJ-as-researcher Approach: Methods Emerging Through Digital Cumbia Fieldwork.” https://doi.org/10.5281/zenodo.7274023

Jäggi, Patricia, and Natalie Kirschstein. “Listening to Forests and Performing with Birds: Practices of Aural Biophilia in Times of Ecological Crisis.” https://doi.org/10.5281/zenodo.7274027

Keller, Juliana España. “The Sonic Intraface of a Noisy Feminist Social Kitchen.” https://doi.org/10.5281/zenodo.7274037

Kunnuji, Joseph. “Reinterpretation and Re-Contextualisation of Badagry’s Ogu Music in Avale: Ethnomusicological and Artistic Convergence in a Trans-Local and Trans-Genre Collaborative Music Production.” https://doi.org/10.5281/zenodo.7274042

Lehmann, Irene. “Listening with My Eyes Wide Open: Researching Music Theater in Artistic Research Environments.” https://doi.org/10.5281/zenodo.7274048

Lin, Wei-Ya, Arno Böhler, Susanne Valerie Granzer, and Johannes Kretz. “Artistic Research in the Post-Colonial Era.” https://doi.org/10.5281/zenodo.7274054

Mazuruse, Forward. “Performing Artistic Interventions for the Promotion of Underprivileged Children in Rural Schools in Zimbabwe through Provision and Training of Mbira.” https://doi.org/10.5281/zenodo.7274059

Moshugi, Kgomotso, Yonela Mnana, Mbuso Khoza, Evans Netshivhambe, Rui Laranjeira, and Brett Pyper. “Exploring the Affordances of Musical Practice as Research.” https://doi.org/10.5281/zenodo.7274068

Palme, Pia. “Composing with a Polluted Planet.” https://doi.org/10.5281/zenodo.7274072 Przybylski, Liz. “Performing Change on the Music Festival Stage: Indigenous Popular Music and Audience Engagement.” https://doi.org/10.5281/zenodo.7274079

Research Group on Ethnomusicology and Education Dona Ivone Lara (GPEDIL): Raul, Jhenifer, Juliana Freire, Lucas Assis, Matheus Ferreira, Pedro Macedo Mendonça, and Raphaela Yves. “The Resurgence of Favela Funk Balls in Rio de Janeiro and the Resistance of Black Youth in the Context of 150 bpm.” https://doi.org/10.5281/zenodo.7274093

Seeger, Anthony. “When Performers Have Led the Way: Research, Collaboration, Performance, and Ethics.” https://doi.org/10.5281/zenodo.7274098

Simonett, Helena, and Jawed Ahmadi. “Music in and for a Mobile World: Home, Place, and Memory in the Context of Migration and Displacement.” https://doi.org/10.5281/zenodo.7274102

Tan, Sooi Beng. “Towards a Critical Approach in Applied Ethnomusicology: Negotiating Power, Engagement and Cultural Sustainability in the Heritage Celebrations, Penang, Malaysia.” https://doi.org/10.5281/zenodo.7274109

Verhulst, Anaïs. “Performing in Lockdown: Intangible Musical Heritage in Belgium During the First Wave of the COVID-19 Pandemic.” https://doi.org/10.5281/zenodo.7274121