Unlocking the Riddles of Imperial Greek Melodies: the 'Lydian' metamorphosis of the Classical harmonic system
Description
SELECT BIBLIOGRAPHY
Barker, A. (1989). Greek Musical Writings 2. Cambridge: CUP.
Barker, A. (2007). The Science of Harmonics in Classical Greece. Cambridge: CUP.
Barker, A. (2020). ‘Harmonics’ in Lynch, T. A.C. and Rocconi, E. (eds) A Companion to ancient Greek and Roman Music, Malden: Blackwell, 257–274.
DAGM = Pöhlmann, E. and West, M.L. (2001). Documents of Ancient Greek Music: The Extant Melodies and Fragments. Oxford.
dDAGM = Lynch, T.A.C. (2021). Database ‘Documents of Ancient Greek Music’. Version 1.1 Zenodo: https://doi.org/10.5281/zenodo.5181743
Hagel, S. (2010). Ancient Greek Music – A New Technical History. Cambridge
Lynch, T. (2018). ‘ “Without Timotheus, much of our melopoiia would not exist; but without Phrynis, there wouldn’t have been Timotheus”: Pherecrates’ twelve strings, the strobilos and the harmonic paranomia of the New Music’, Greek and Roman Musical Studies 6.2, 290–327.
Lynch, T. A.C. (2020). ‘Tuning the Lyre, Tuning the Soul: Harmonía and the koś mos of the Soul in Plato’s Republic and Timaeus’, Greek and Roman Musical Studies 8.1, 111–55.
Lynch, T . A.C. (2022a). ‘Unlocking the Riddles of Classical Greek Melodies I: Dorian Keys to the Harmonic Revolution of the New Music and the Hellenistic Musical Documents’ Greek and Roman Musical Studies 10.2 [preprint: https://doi.org/10.5281/zenodo.5266960]
Lynch, T. A.C. (2022b). ‘Unlocking the Riddles of Classical Greek Melodies II: the Revolution of the New Music in the Ashmolean Papyri (DAGM 5–6) and Athenaeus’ Paean (DAGM 20)’, Greek and Roman Musical Studies 10.2. [preprint: https://doi.org/10.5281/zenodo.5267084].
Martinelli, M.C. (2020). ‘Documenting Music’, in Lynch, T. A.C. and Rocconi, E. (eds) A Companion to ancient Greek and Roman Music, Malden: Blackwell, 103–115.
West, M.L. (1994). Ancient Greek Music. Oxford: OUP.