ON THE PRIORITIES OF ETHNOMUSICOLOGY
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Abstract
This article examines some aspects of K.Kvitka’s theory “from simple to complex”, as well as the role of K.Kvitka’s ideas in the development of musical turkology. Emphasizes the relevance of K.Kvitka’s ideas in modern ethnomusicology. It is assumed that, following the theoretical postulates of Kvitka, it is possible to classify the stadial stages of the evolution of the musical art of the Turkic space. The general stadium determinants of the music of the Turkic-speaking peoples, in additions to the comparative genre level, can also give tangible, important results.
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Список литературы:
1. Квитка И.В. Избранные труды в двух томах. Т. 1. М., Сов. композитор, 1971.
2. Махмудова Г.Р. Генезис и эволюция остинатности в азербайджанской музыке. Баку, Нурлан, 2006.
3. Мамедова Р.А. Очерки по этномузыкологии. Баку, Avropa, 2016.
4. Назайкинский Е.В. Звуковой мир музыки. М., Музыка, 1988.
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DSJ_80-3-5.pdf
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