A HERMENEUTICS OF LITERARY IDENTITIES

In hermeneutics, to understand and then to interpret a narrative text implies identifying its markers of ambigu-ity—its riddles and enigmas—which are interconnected like a cobweb. In this article, the researcher develops a literary hermeneutic model for interpreting any literary narrative text, based on the conceptual arsenal of liter-ary hermeneutics and narratology. The model is called ‘divinatory’, since it is inspired by Friedrich Schleier-macher’s idea for ‘divinatory hermeneutics’ and Roland Barthes’ ‘hermeneutic code’, and it is applied on a very enigmatic short story by Julio Cortázar. The theoretical premise of the article also argues for the benefits of studying the complex systems of literary identities in literary texts and of re-establishing hermeneutics of liter-ature as a ‘hermeneutics of literary identities’. 
Due to its unique ambiguity, Cortázar’s famous short story “Las babas del diablo” has numerous interpreta-tions and too many title translations: after Michelangelo Antonioni’s movie, it is known as “Blow-Up” in Eng-lish, but also “The Devil’s Drool”, “The Devil’s Cobweb”, “The Cobweb/Kiss of St. Michael’s Summer”, and “The Thread of the Virgin” in other languages. Therefore, its unriddling divinatory interpretation provides an excellent initial interpretative model for any fictional narrative text. By analyzing the hermeneutically encoded aspects of its main narrative factors—the story and its discourse, narrator/s and focalization, narrative time and space, as well as intertextual connections—this interpretation finds that the short story’s search for the identities of its subjects and events is, in fact, a search for the hermeneutic identity of meaning.