On Mares in Miral Al-Tahawy's The Tent

Arab Bedouin communities have long been a subject of analysis by Oriental scholars. There has been a great tendency to exoticize the Bedouin man, and particularly the Bedouin woman. A custom often overlooked and misunderstood is the significance of the ideology of ―asil‖ or ―pure blood.‖ It was as important to keep the family‘s bloodline ―pure‖ as it was to maintain the horse‘s, or mare‘s, breeding. When Bedouin women occupy the same space as the mare, is this utter objectification of their bodies, or perhaps, is there a huge value placed on the woman? The mare‘s significance has also been present in some works of literature. The Tent, by Miral al-Tahawy, presents us with a protagonist, Fatima, who loses her mare to a foreign Orientalist in exchange for her education. With the mare‘s loss comes Fatima‘s loss of self, identity, and eventual descent into madness. The mare is significant to Bedouin culture, and it is this contact with the colonizer that threatens the culture and the psyche. This paper will combine both cultural ideologies, as well as attempt a literary examination of the above-mentioned work. It aims to present a new approach to looking at the significance of the mare in Bedouin culture and literature, as well as the invasion of colonialism, which does not ―save‖ Bedouin women, but rather steals the culture.