Info: Zenodo’s user support line is staffed on regular business days between Dec 23 and Jan 5. Response times may be slightly longer than normal.

Published December 10, 2017 | Version v1
Journal article Open

Ukrainian Academic Folk-instrumental Artistic Performance as an Intercultural Dialogue

Creators

  • 1. Kyiv National University of Culture and Arts, Ukraine

Description

The article deals with the problem of cultural dialogue through the example of Ukrainian academic folk-instrumental artistic performance (UAFIAP). The historical-cultural context of the UAFIAP development in the beginning of the 20th and 21st centuries is examined, which has shaped the dialogical nature of this type of artistic performance. The methodology of the research includes: M. Bakhtin’s conception of cultural dialogue; the theoretical method of modeling (to construct the analogies between the tendencies of national-cultural revival in Ukraine of the 20th and 21st centuries); historical method (to analyze the processes of UAFIAP evolution); comparative-historical method (to define common and specific historical conditions of the Ukrainian cultural development in the beginning of the 20th and 21st centuries);  historical-cultural method (to consider the cultural context of UAFIAP development of the 20th – 21st centuries). The scientific novelty of the article consists in the consideration of UAFIAP in the context of the cutlural dialogue problem; in the examination of historical-cultural aspect of UAFIAP formation and evolution.  Conclusion. On the ground of analysis of the historical-cultural situation in Ukraine in 20th – 21st centuries it is demonstrated that the dialogueness of UAFIAP consists in the unity and interaction of national and international components; in the representation of UAFIAP as a unique national art and, at the same time, as an essential part of European cultural world. It is defined that the crucial reason of UAFIAP development is the process of national-cultural revival, inspired by the patriotic awareness of the cultural uniqueness as a component of European cultural world.  It is concluded that because of its dialogical nature, UAFIAP nowadays is one of the most fruitful forms of the national art that asserts national uniqueness of the Ukrainian music and favours the activation of Ukrainian-European humanitarian relations.

Files

Ukrainian_Academic_Folk_instrumental_Artistic_Performance_as_an_Intercultural_Dialogue.pdf

Files (258.3 kB)

Additional details

References

  • Bahtin, M.M. (1975). Issues of Literature and Aesthetics. Moskva: Hudozhestvennaja literatura.
  • Berdjaev, N.A. (1990). Russia's Destiny. Moskva: Moscow State University Publishing house.
  • Gerasimova-Persidskaja, N. (2012). Music. Time. Space. Kyiv: Dukh i Litera.
  • Kyianovska, L.O. (1998). Austro-German Culture Impact on the Formation of Stanislav Liudkevych's Style. Ukrainsko-nimetski muzychni zviazky mynuloho i sohodennia [Ukrainian-German Musical Relations of the Past and Present], pp. 67–76.
  • Kyianovska, L.O. (1999). Polish-Ukrainian Relations in Galician Musical Culture. Musica Galiciana [The Galician Music], vol. 2, pp. 62–69.
  • Kornіi, L.P. (2012). Lute Music of Renaissance Epoch and It's Role in the Musical Art Evolution of Poland, Ukraine and Belarus in the 16th – 17th centuries. Chasopys Natsionalnoi muz. akademii Ukrainy im. P. I. Chaikovskoho [The Journal of Petro Tchaikovsky National Music Akademy], no. 4(17), pp. 55–61.
  • Kornіi, L.P. (2003). M. Lysenko is in the Context of European Musical Romanticism (West and Central Europe). Ukrainske Muzykoznavstvo [Ukrainian Musicology], no. 32, pp. 16–27.
  • Pasichniak, L.M. (2007). Academic Folk Instrumental Ensemble Performance of Ukraine in the 20th century: Historical-Performance Aspect, Abstract of the PhD diss. (arts sci.). Lviv: Mykola Lysenko Lviv State Music Academy.
  • Pakhljovsjka, О. (2008). Ave, Europa! : Articles, Reports, Journalism (1989–2008). Kyiv: Pulsary.
  • Popovych, М. (2001). Review of Ukrainian Culture History. Kyiv: ArtEk.
  • Skrypnyk, H.A. (2009). The History of Ukrainian Music. Kyiv: ІMFE іm. M.T. Rylskoho, vol. 2.
  • Samojlenko, A.I. (2002). Musicology and the Methodology of Humanitarian Knowledge. Problems of Dialogue. Odessa: Astroprint.
  • Suprun, N. (1997). Ghnat Khotkevych – a Musician. Rivne: Lista.
  • Franko, І. (1986). A Sincere Letter to Galician Ukrainian Youth. Zibrannia tvoriv u 50 t. T. 45. [Collected works in 50 vol., vol. 45]. Kyiv: Naukova dumka, pp. 401–409.