Info: Zenodo’s user support line is staffed on regular business days between Dec 23 and Jan 5. Response times may be slightly longer than normal.

Published June 1, 2022 | Version v1
Journal article Open

Cinematography and Modern Media

  • 1. Kyiv National University of Culture and Arts, Ukraine
  • 2. Kyiv University of Culture, Ukraine

Description

The purpose of the study is to analyze modern and traditional media; identify problems and prospects, compare modern media with its traditional analogues; describe the role of main professions associated with film and television; to reveal the problems of modern media. The research methodology consists in applying the following methods: theoretical – analysis of television programs, films, information sources, generalization of the influence of media on world transformations and determination of the interdependence of the structural components that form the whole television space. Scientific novelty. For the first time the components of modern media are deeply analyzed, a detailed analysis of the interdependence of the structural components that form the television space is carried out, using a theoretical analysis of television programs, the factors affecting the quality of the television product are determined. Conclusions. In the course of the article, we analyzed modern and traditional media. With the help of the ongoing analysis, we have established the differences between modern media and traditional ones, problems were identified and possible ways of solving them were analyzed. The components that form modern media were considered in detail and the role of the main film and television professions was determined. The factors, which are influencing the quality of television content were summarized by the author as well.

Files

Cinematography_and_Modern_Media.pdf

Files (196.5 kB)

Name Size Download all
md5:05e90aa964fbffbdd92f866512dba7dd
196.5 kB Preview Download

Additional details

References

  • Golovnya, A., 1965. Masterstvo kinooperatora [The skill of a cameraman]. Moscow: Iskusstvo.
  • Kopylov, R., 2018. Netflix pozvolit zriteliam vybirat razvitie siuzheta v "Chernom zerkale". Sei- Khai. [online] Available at: <https://say-hi.me/24-kadra/netflix-pozvolit-zritelyam-vybirat-razvitie-syuzheta-v-chyornom-zerkale.html> [Accessed 12 January 2022].
  • Naumova, M., 2011. Novi media ta tradytsiini ZMI: modeli spivisnuvannia [New media and traditional media: models of coexistence]. Aktualni problemy sotsiolohii, psykholohii, pedahohiky, 13, pp.86-92.
  • Pudovkin, V., 1926. Kinorezhisser i kinomaterial [Film director and film material]. Moscow: Kinopechat.
  • Romanenko, Yu., 2018. Osnovni etapy kinovyrobnytstva [The main stages of film production]. [online] Available at: <https://studway.com.ua/znyati-kino/> [Accessed 11 January 2022].
  • Shevchenko, V.E. ed., 2012. Novitni media ta komunikatsiini tekhnolohii: kompleks navchalnykh prohram dlia spetsialnostei "Zhurnalistyka", "Vydavnycha sprava ta redahuvannia", "Reklama ta zviazky z hromadskistiu" [The latest media and communication technologies: a set of training programs for the specialties "Journalism", "Publishing and Editing", "Advertising and Public Relations"]. Kyiv: Palyvoda A.V.
  • Verutska, I., 2015. Rozvazhalna teleprohrama: poniattia ta klasyfikatsiia [Entertainment TV program: concept and classification]. Naukovyi bloh. Natsionalnyi universytet "Ostrozka akademiia". [online] Available at: <https://naub.oa.edu.ua/2015/rozvazhalna-teleprohrama-poniattia-ta/> [Accessed 12 January 2022].
  • Volynets, M., 2007. Professiia: operator [Profession: operator]. Moscow: Aspekt Press.