Published November 1, 2012
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Modal diversity in early Ottoman music : the case of makâm Sabâ
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It is particularly obvious that it is impossible to discuss Byzantine Chant without reference to Ottoman music. Jacob Olley comments on its evolution in conjunction to the maqām Ṣabā and its various commentators, from Cantemir to Behar and Popescu-Judetz via Yekta Bey, Ezgi, Arel, Signell and Wright.
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Reissue published 2016-12 ; NEMO-Online website: https://nemo-online.org/
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(INTERNET) 04. Article NEMO n°1-1 - Jacob Olley - Reissue 201612S.pdf
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