ИМПЛИЦИТНЫЕ ПАРАДИГМЫ В ПОЭТИЧЕСКОМ ТЕКСТЕ

The subject of paradigmatic analysis is words and larger intra-text verbal complexes that form the system lines as definitions of one or similar concepts or form interconnected perceptual “subject” images (which are the reflection of the surrounding world) in the process of perceiving a text or a group of texts. The system of textual paradigms, or hyperparadigm, is viewed as the content side of the text, and the process of forming a hyperparadigm in the mind of the reader is viewed as an interpretation of the text. The variability and degree of complexity of the formation of the hyperparadigm of the text, as well as the peculiarities of the implication from the point of view of the paradigmatic structure of the vocabulary, are determined, in particular, by the nature of the implicit paradigms. In the article, based on the poems of S. Yesenin, S. Klychkov and A. Fet, three types of implicit paradigms are distinguished. They differ in that in one case they are formed due to the associative connections of explicit (fully present in the text) paradigms with other explicit paradigms within the same text (intratextual implicit paradigms), in the other – due to connections within a number of texts (intertextual), in the third – beyond the text space (extratextual).