Hacia una crítica de la razón armónica

The essay focuses on the attempt of articulating the idea of a critique of harmonic reason understood as a comprehensive (and not explicitly expressed) project within the Kant’s theoretical path. In the first paragraph, the attempt of elaborating a critical idea of harmony is addressed both biographically and theoretically by referring to the intense period 1783-1786. In the second paragraph, we introduce and discuss a methodical idea of critic harmony, whose roots are grounded within the framework of both pre-critical and critical period. Finally, as presented by the editor of the present monographic issue, the essay opens up to the dialogue with other interpretative paths about the topic, by offering a comprehensive view of all essays jointed in this issue and by presenting those stimulating materials along three concentric circles.