Published March 5, 2019 | Version v1
Journal article Open

Scientific Reassessment of the Publishing Evolution: А Media-Archaeological Approach to Prospective Studies of Book as Medium

  • 1. Sofia University

Description

Modern media are characterized by extraordinary diversification and derivatisation. Multimodality has become central to all factors of the communication process – sources, codes, messages, channels and networks, intermediaries and agents, as well as end recipients. The most serious collisions occur in the field of publishing and books. Object of the research: A formal reason for this article is the 550th anniversary from the death of Johannes Gutenberg (ca. 1400–1468) used to re–examine and re–define the book as the oldest and, at the same time, most promising media in the world of publishing. Purpose of the research: To revise the periodisation of the publishing evolution outside the four phases of the 560–year biography of the print format of the book: incunables or early– printed books, post– incunables or first–printed books, old–printed books, and new–printed books or contemporary printed books. Methodology/approach: The archaeological approach to the study of media reveals larger–scale reasoning behind the evolution of the book as a medium: Pre–Gutenberg, Gutenberg and Post–Gutenberg book. Results: Each of the three phases is governed by five principles that also pre–empt the future of the print medium in the 21st century: the principle of bureaucracy, the principle of antagonism, the principle of fanaticism, the principle of emancipation and the principle of “form follows function”. The perspective of media archaeology helps to correct the historical place and the evolutionary stance of the inventions pertaining to the Gutenberg Galaxy – the print medium, the printing press, the printed book, and paper as a printing resource. Implications: The conclusions may prove important for outlining the technological and ideological patterns affecting the invention and decline not only of the printed book but of every publication format before and after Gutenberg.

Notes

This article was written as part of a research project implemented with the support of the Sofia University Science Fund (contract No 80-10-9/16.04.2018).

Files

Publishing_Evolution_Media_Archeology-2019.pdf

Files (2.1 MB)

Name Size Download all
md5:7e47c71190f39033580e4780a613bbb5
896.7 kB Preview Download
md5:31860058b8dd138049a1c9ac2183ce05
117.8 kB Preview Download
md5:1ebbdc2321c7e3e3ba77467979fa0546
489.3 kB Preview Download
md5:3fe82e04d234d4f5a9d1d19e05ee6203
637.4 kB Preview Download

Additional details

References

  • Yang, Hu and Yang Xiao (2010). Chinese Publishing: Homeland of Printing. Beijing: China Intercontinental Press, 2010.
  • Winkler, Hartmut (1996). Docuverse: Zur Medientheorie der Computer. Munich: Boer, 1996. 381 S.
  • Wahrman, Dror (2012). Mr. Collier's Letter Racks: A Tale of Art and Illusion at the Threshold of the Modern Information Age. New York: Oxford University Press, 2012. 288 р.
  • Vakoch, Douglas A. (ed.) (2014). Archaeology, Anthropology, and Interstellar Communication. Washington: National Aeronautics and Space Administration, Office of Communications, Public Outreach Division, History Program Office, 2014. 300 p. (The NASA History Series)
  • UNESCO (2014). 42-line Gutenberg Bible, printed on vellum, and its contemporary documentary background. In: Memory of the World Register. UNESCO, 2014. Available at: http://www.unesco.org/new/en/communication-and-information/flagship-project-activities/memory-of-the-world/register/full-list-of-registered-heritage/registered-heritage-page-3/42-line-gutenberg-bible-printed-on-vellum-and-its-contemporary-documentary-background (accessed 20.10.2018)
  • Tsvetkova, Milena (2012). The book as medium [Книгата като медия]. Sofia: Enthusiast Publishing. 600 p. [in Bulgarian]
  • Tsien, Tsuen-Hsuin (1985). Paper and Printing. In: Needham, Joseph. Science and Civilisation in China, Chemistry and Chemical Technology. Vol. 5, part 1. Cambridge University Press, 1985.
  • Toffler, Alvin (1981). The Third Wawe. New York: William Morrow, 1980. 544 p.
  • Smith, Keith A. (2005). Structure of the Visual Book. Exp. 4th ed. Rochester: K. Smith Books, 2005. 431 p.
  • Seoul Printing Center (2015). Metal type printing technology. Seoul Printing Center. http://www.seoulprinting.com/en/history/sub04.asp?chk=4 (accessed 20.10.2018)
  • Schwartz, Eugene G. (2010). The BISG 2010 Annual: Creating Our Own Future. In: Book Business, 29.09.2010. http://www.bookbusinessmag.com/blog/the-bisg-2010-annual-creating-our-own-future (accessed 20.10.2018)
  • Richardson, B. (1999). Printing, Writers and Readers in Renaissance Italy. Cambridge, 1999.
  • Pettegree, A.(2010). The Book in the Renaissance. Yale University.
  • Pelliot, Paul (1953). Les débuts de l'imprimerie en Chine. Paris: Imprimerie Nationale. Librairie d'Amérique et d'Orient Adrien Maisonneuve, 1953.
  • Otlet, Paul (1909). La fonction et les transformations du Livre: Résumé de la conférence faite à la Maison du Livre, 14 November 1908. Brussels: Publication du Musée du Livre No. 11, 1909. 33 p.
  • ODLIS (2004). Online Dictionary for Library and Information Science. By Reitz, Joan M. Greenwood Village, CO: Libraries Unlimited, 2004. https://www.abc-clio.com/ODLIS/odlis_about.aspx (accessed 20.10.2018)
  • Needham, Joseph (1986). Science and Civilization in China: Vol. 5: Chemistry and Chemical Technology. Part 1: Paper and Printing. Taipei: Caves Books Ltd., 1986.
  • Miller, Mary and Karl Taube (1993). The Gods and Symbols of Ancient Mexico and the Maya: An Illustrated Dictionary of Mesoamerican Religion. New York: Thames and Hudson, 1993.
  • McLuhan, Marshall (1964). Understanding media; The Extensions Of Man. New York: McGraw-Hill, 1964. vii, 359 p.
  • McLuhan, Marshall (1962). The Gutenberg Galaxy: The Making of typographic man. Toronto: University of Toronto Press, 1962. 293 p.
  • McLuhan, Marshall, and Eric McLuhan (1988). Laws of Media: The New Science. Toronto: University of Toronto Press. xi, 252 p.
  • Marnix, C.H.R. (2012). Mentz of Haarlem? Johann Gensfleisch Von Gutenberg of Laurens Janszoon Koster? Eene Bijdrage Tot de Geschiedenis Van de Uitvinding Der Boekdrukkunst. Netherland: Nabu Press, 2012, [1852]. 44 p.
  • Luhmann, Niklas (1997). Die Gesellschaft der Gesellschaft. Band 1. Kapitel 2: Kommunikationsmedien. Frankfurt am Main: Suhrkamp, 1997. 594 S.
  • López, Citlalli (2000). Hand-made bark paper in Mexico: local production – regional harvest: Transitions in tree-knowledge, extractive strategies and land use systems. In: Cultivating (in) tropical forests: The evolution and sustainability of intermediate systems between extractivism and plantations. Center for International Forestry Research CIFOR; European Tropical Forest Research Network ETFRN. Lofoten, Noruega, 28 Junio – 1 de julio 2000, p. 52-53.
  • Lemud, Aimé de (1889). Ceci tuera cela: illustration for Hugo's Notre Dame de Paris. Paris: Édition nationale, Testard, 1889. Available at: http://access.bl.uk/item/pdf/lsidyv30793e76 (accessed 20.10.2018)
  • Klooster, John W. (2009). Icons of invention: the makers of the modern world from Gutenberg to Gates. Santa Barbara, CA: ABC-CLIO, 2009.
  • Kawasaki, Guy and Shawn Welch (2013). APE, Author, Publisher, Entrepreneur. [United States]: Nononina Press, 2013. 408 p.
  • Julien, Stanislas (1847). Notices sur les pays et les peuples étrangers, tirées des géographes et des annales chinoises. Journal Asiatique, Juin 1847.
  • Johnson, Samuel (2015). The Architecture of the Book: El Lissitzky's Works on Paper, 1919-1937. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences.
  • Johns, A. (2010). Piracy: The Intellectual Property Wars from Gutenberg to Gates, University of Chicago Press, 2010.
  • Jenkins, Henry, Sam Ford, and Joshua Green (2018). Spreadable Media: Creating Value and Meaning in a Networked Culture. New York: New York University Press, 2018. xiii, 381 p.
  • Jenkins, Henry (2006). Convergence Culture: Where old and new media collide. New York: New York University Press, 2006. 318 p.
  • ISO 9707:2008 Information and documentation – Statistics on the production and distribution of books, newspapers, periodicals and electronic publications.
  • ISO 5127:2017 Information and documentation – Foundation and vocabulary.
  • ISBD (2011). International Standard Bibliographic Description. Consolidated Edition. IFLA.
  • Huhtamo, Erkki (2013). Illusions in Motion Media Archaeology of the Moving Panorama and Related Spectacles. Cambridge: MIT Press, 2013. xix, 438 p.
  • Huhtamo, Erkki and Jussi Parikka (eds) (2011). Media Archaeology: Approaches, Applications, and Implications. Berkeley: Univ. of California Press, 2011. 368 p.
  • Hjarvard, Stig (2013). The Mediatization of Society and Culture. London: Routledge, 2013. ix, 173 p.
  • Goldsmith, Kenneth (2005). If It Doesn't Exist on the Internet, It Doesn't Exist: Presentation at Elective Affinities Conference, University of Pennsylvania, September 27, 2005. Electronic Poetry Center. http://writing.upenn.edu/epc/authors/goldsmith/if_it_doesnt_exist.html (accessed 20.10.2018)
  • Gates, Yuri and Jon Maslin (1982). Production Techniques. In: UNESCO. The Future of the Book. Paris: UNESCO, Publishers' Association, 1982, pp. 46-54.
  • Flogaus, R. (2007). Aldus Manutius and the printing of Greek liturgical texts. – In: The Books of Venice. Miscellanea Marciana. Vol. 20. Venice, 2007, pp. 203–207.
  • Fedorov, A., Levitskaya, A., Camarero, E. (2016) Curricula for media literacy education according to international experts. European Journal of Contemporary Education, 2016, Vol. 17, No. 3, pp. 324-334. DOI: 10.13187/ejced.2016.17.324
  • Fedorov, A.V., Kolesnichenko, V.L. (2013). Marshall McLuhan and Umberto Eco as theorists of media education. Representations of Canada. Vol. 8. Volgograd: Volgograd State University, 2013, pp. 74-82.
  • Estivals, Robert (1987). La Bibliologie. [2st ed.]. Paris: Presses universitaires de France, 1987. 127 p.
  • Emerson, Lori (2014). Reading. Writing. Interfaces: From the Digital to the Bookbound (Electronic Mediations). Minneapolis: University of Minnesota Press, 2014. 232 p.
  • Elsaesser, Thomas (2018). Media Archaeology: a viable discipline or a valuable symptom?. In: Pau Alsina, Ana Rodríguez and Vanina Y. Hofman (coords.). Artnodes, No. 21, pp. 11-22. DOI: 10.7238/a.v0i21.3204.
  • Elsaesser, Thomas (2016). Film History as Media Archaeology. Amsterdam: Amsterdam University Press, 2016.
  • Eco, Umberto, and Jean-Claude Carrière (2011). This in not the end of the books: Conversation with Jean-Philippe de Tonnac. Sofia: Enthusiast. 384 p.
  • Dertouzos, M. (1997). What Will Be: How the New World of Information Will Change Our Lives. New York: HarperEdge. 440 p.
  • Defoe, Daniel (1727). The History of the Devil As Well Ancient as Modern: In Two Parts. 2nd ed. London, 1727.
  • Debray, Régis (2003). Einfuhrung in die Mediologie: Facetten der Medienkultur. [Introduction à la médiologie]. Bern: Haupt Verlag, 2003. 256 p.
  • Debray, Regis (2000). Transmitting Culturе. New York: Columbia University Press, 2000. 157 p.
  • Debray, Regis (1991). Cours de médiologie générale. Paris: Gallimard, 1991. 395 p.
  • Darnton, Robert (1997). Best-sellers and gossip-mongers in 18th-century France. The UNESCO Courier (How ideas travel), 1997, No 7, pp. 14-17.
  • Carels, Edwin (2014). Animation Beyond Animation: a Media-archaeological Approach. Ghent, Belgium: Ghent University. Faculty of Arts and Philosophy; Royal Academy of Fine Arts (KASK). http://hdl.handle.net/1854/LU-6914625 (accessed 20.10.2018)
  • Burns, Marna (2004). The Complete Book of Handcrafted Paper. Mineola: Courier Dover Publications, 2004.
  • British Library (2018e). Sibyllenbuch. Also known as Fragment vom Weltgericht. [Mainz: Type of the 36-line Bible, about 1452-53]. Incunabula Short-Title Catalogue (ISTC), British Library. 2018. Available at: http://istc.bl.uk/search/record.html?istc=is00492500 (accessed 20.10.2018)
  • British Library (2018d). Image taken from page 43 of 'Hartley's illustrated coaching guide to North Wales', 1889. The British Library's photos. 2018. Available at: http://access.bl.uk/item/pdf/lsidyv3600bde6 (accessed 20.10.2018)
  • British Library (2018c). Image taken from page 25 of 'The Men in the Moon: or, the 'Devil to pay.' With thirteen cuts [by George Cruikshank], etc. [A satirical poem-chiefly in reference to the proceedings of Messrs Cobbett, Hunt, and others.]', 1820. The British Library's photos. 2018. http://backgroundsdb.com/index/view/image/11220789943_9.jpg (accessed 20.10.2018)
  • British Library (2018b). Diamond Sutra. The British Library. 2010. Available at: http://www.bl.uk/collection-items/the-diamond-sutra (accessed 20.10.2018)
  • British Library (2018a). Ch'unchu kyongjon chiphae = Spring and Autumn Annals (Seoul, 1434). British Library 16015 c.3. 2018. Available at: http://www.bl.uk/collection-items/spring-and-autumn-annals (accessed 20.10.2018)
  • Bolzoni, L. (1995). The Gallery of Memory: Literary and Iconographic Models in the Age of Printing Press. Toronto, 1995.
  • BNF (2015). Jikji. Bibliotheque Nationale de France. Available at: http://gallica.bnf.fr/ark:/12148/btv1b6300067k/f26.image (accessed 20.10.2018)