ПОБУТОЦЕНТРИЧНА ПАРАДИГМА У ТВОРЧОСТІ Г. Ф. КВІТКИ-ОСНОВ'ЯНЕНКА

The article is devoted to the phenomenon of the household-centred paradigm in H. F. Kvitka-Osnovianenko’s artistic heritage. The verbalization of the Slobozhany’s household hasn’t been analyzed by linguists yet; it makes this research topical. The aim of the article is to describe language means of making the concept «Houshold» objective in the lexical-phraseological system of H. F. Kvitka-Osnovianenko’s works. The aim of the article presupposes solving the following tasks: outlining the list of lexemes that define household subjects; singling out phraseological units with the «household» component; analyzing the deep culturally meaningful dominant, taking the component «khata» [village house] as an example. Conclusion. Language mapping of H. F. Kvitka-Osnovianenko’s works fits the culturally specific household-centred paradigm. In H. F. Kvitka-Osnovianenko’s works household is presented by a wide well-structured lexical-phraseological field as well as numerous proverbs that proves its communicative relevance for Ukrainian, the Slobozhany’s in particular, consciousness. FSF «Household» includes such FSG as «Customs», «Way of Life», «Work», «Household utensils», «Housekeeping» and others. These FSGs contain subgroups (FSSG), microgroups (FSMG) may be realized in the individual, family, social or territorial (urban, rural) aspects of life. Their prototypic representatives are customs, tradition, norms and order, living conditions characteristic for one person, a social group or the society as a whole.