ДІЄСЛІВНА МЕТАФОРА ЯК ДОМІНАНТА ХУДОЖНЬОЇ ОРГАНІЗАЦІЇ МАРИНІСТИЧНОГО ПЕЙЗАЖУ В НОВЕЛІСТИЦІ М. КОЦЮБИНСЬКОГО ІТАЛІЙСЬКОГО ЦИКЛУ

The article is devoted to the expressive reproduction of the seascape short stories of the Italian cycle by M. Kotsiubynskyi. In linguistics, there is a significant number of metaphors classifications, among which the most popular is the word typology, that indicates the auxiliary subject. Based on this, anthropomorphic, naturemorphic, zoomorphic, phytomorphic, landscape, sociomorphic, and artifact metaphors are distinguished. But there are less studied metaphors that are grouped according to grammatical indices (substantive, adjective, verbal etc.), and syntactic features (genitive metaphors, predicates etc.). Thus, the relevance of the study is determined by the need to study verbal metaphors as one of the expressive means to reflect the seascape in the short stories by M. Kotsiubynskyi. The purpose of this article is to point out lexical and semantic peculiarities of verbal metaphors in the Italian cycle texts by M. Kotsiubynskyi. The originality of M. Kotsiubynskyi artistic space is that the linguistic presentation of nature phenomena occurs in the form of semantic filling with individual-authorial associations of words, rethinking and enrichment of their meanings. In the language expression of the seascape in the short stories of the Italian cycle, there is a significant number of figurative structures whose metaphorical content is based on verbal grounds. The basis of the semantic characteristic of the verb metaphors is the figurative use of verbs to denote motion, processes and states relating to the nature. In these structures, the metaphorical verb has predominantly anthropomorphic meaning.