Introduction: a critique of digital practices and research infrastructures
- 1. Digital Curation Unit, IMIS-Athena Research Centre
- 2. Curtin University
- 3. University of Toronto & Digital Curation Unit, IMIS-Athena Research Centre
- 4. Glasgow University
Description
This is the author-formatted, pre-publication draft of Benardou, Agiatis, Erik Champion, Costis Dallas, and Lorna M. Hughes (2018) Introduction: a critique of digital practices and research infrastructures. In Cultural Heritage Infrastructures in Digital Humanities, edited by Agiatis Benardou, Erik Champion, Costis Dallas, and Lorna M. Hughes. Routledge: Abingdon, Oxon. and New York (ISBN: 9781472447128). Please use the published version for citation.
Publisher's page for the book: https://www.routledge.com/Cultural-Heritage-Infrastructures-in-Digital-Humanities/Benardou-Champion-Dallas-Hughes/p/book/9781472447128
Table of Contents
1. Introduction: a Critique of Digital Practices and Research Infrastructures
Agiatis Benardou, Erik Champion, Costis Dallas and Lorna Hughes
2. The Role of 3D Models in Virtual Heritage Infrastructures
Erik Champion
3. Internet Archaeology and Digital Scholarly Communication
Julian D. Richards
4. Crowds for Clouds: Recent Trends in Humanities Research Infrastructures
Tobias Blanke, Conny Kristel and Laurent Romary
5. The Ethnography of Infrastructures: Digital Humanities and Cultural Anthropology
Gertraud Koch
6. Building Personal Research Collections in Art History
Christina Kamposiori, Claire Warwick and Simon Mahony
7. Making sure the data fit the researchers. Data Identification and Investigation in European Holocaust Research Infrastructure (EHRI)
Veerle Vanden Daelen
8. Mubil: A Library-based Immersive Virtual Environment for Situated Historical Learning
Alexandra Angeletaki and Marcello Carrozzino
9. Digital Heritage Tools in Ireland - a Review
Sharon Webb and Aileen O’Carroll
10. From Europeana Cloud to Europeana Research: Tools, Users and Methods
Agiatis Benardou and Alastair Dunning
11. Digital humanities research needs from cultural heritage looking forward to 2025?
Seamus Ross
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