Editorial

This opening editorial sets the tone for the fanzine’s ironic and irreverent take on architectural discourse. Framed as a “homonymous album,” it mixes pop culture, self-deprecating humor, and inside jokes to introduce Friendly Fire as both method and mood—part critique, part collective therapy. From the “Torneio Escada” to equestrian statues and public picnics, it embraces experimental formats and garage-band energy to challenge conventional architectural publishing.