Wisława Szymborska i Kornel Filipowicz – zbliżenia

The main theme of the article Wisława Szymborska and Kornel Filipowicz – close ups revolves around the bond between two important literary figures. They were not just friends, but partners in life, constantly inspiring and complementing each other. Their closeness was so profound that Wisława Szymborska considered her achievements, especially the Nobel Prize, to be a 'Stockholm tragedy' because she couldn't fully enjoy them without Filipowicz. The article highlights the importance of the published correspondence between the two writers, which vividly illustrates the uniqueness of their relationship.

An integral aspect is here the reflection of Kornel Filipowicz's life, which paints a portrait of him as a man and a writer. This exploration includes the places he called home, such as Tarnopol, Cieszyn and Krakow. It also looks at his experiences in concentration camps during the Second World War and his contributions to the artistic and social landscape of the post-war period.

As the article points out, Cieszyn played an important role in the lives of both Wisława Szymborska and Kornel Filipowicz. It was the town in which Filipowicz grew up and in which he formed lasting friendships, among others with Julian Przyboś. For Szymborska, it was the place where she could refuge during the communist era when Poland was striving for homogeneity. The article also delves into the atmosphere of their meetings, walks, and discussions with friends in Kraków, their place of residence, particularly with prominent Polish poets Ewa Lipska and Urszula Kozioł.

The paper also highlights the differences in Szymborska and Filipowicz's romantic and social relationships. It describes Filipowicz's first marriage to Maria Jarema, an important visual artist whose life was tragically cut short, and his subsequent marriage to Maria Próchnicka, an art historian. It also mentions Szymborska's relationships, first with the writer Adam Włodek and later, after their divorce, with Kornel Filipowicz. Each of these relationships had its own characteristics and left an indelible mark on the lives and work of both writers.

The last part of the article focuses on the relationship between Filipowicz's heirs and Szymborska after the writer's death. The author of the paper briefly outlines the relationship between Filipowicz's sons: Aleksander from his first marriage and Marcin from his second. She points out Szymborska's contribution not only to maintaining family relations with Filipowicz's relatives, but also to preserving the writer's literary legacy.