Studies On The "Chinese Discourse" Of Chinese Piano Music

In recent years, how to construct the discourse system of music theory with Chinese characteristics has attracted more and more attention from academic circles. People with insight into the field of language, culture, and art circles have paid close attention to Chinese discourse research, established research bases, organized academic seminars, and published several academic papers and works, which have accumulated fruitful research results for the construction of the music theory discourse system with Chinese characteristics, which can be described as "overwhelming". Not only because of dozens of works and nearly a thousand journals and master and doctoral papers, but more importantly, its huge research system, interdisciplinary disciplines, rich research content, and in-depth analysis and discussion, the research results show great diversity and openness. In particular, those research results combined with traditional aesthetics, culture, hermeneutics, and other disciplines are more diverse from various angles and have unique insights. Such diverse and rich theoretical research results provide a great extension space for the research of this paper.