Published June 1, 2022 | Version v1
Journal article Open

Presentation of the Sacred Heritage of Boikos by Means of Audiovisual Art

Authors/Creators

  • 1. Kyiv National University of Culture and Arts, Ukraine
  • 2. Kyiv University of Culture, Ukraine

Description

The purpose of the study is to analyze the coverage of the Boiko church heritage in live-action films and documentary films, in mass media and in photographs. To determine the role of audio-visual art in the coverage of sacred objects of Boikivshchyna and to prove the necessity to preserve works of sacred heritage by means of photo art. The researh methodology consists in the application of the following methods: theoretical – the analysis of television plots and documentaries providing information about the church art of Boikivshchyna, synchronous and comparative method for deeper analysis of film adaptations of M. Gogol’s work, generalization of media influence on the formation of public opinion. Scientific novelty. For the first time the reflection of audiovisual means has been analyzed and a detailed analysis of documentaries, film adaptations, television reports and photo exhibitions representing the church art of the Boikos has been made. The factors influencing the importance of the popularization of sacred heritage have been defined. Conclusions. In the article, we have analyzed the coverage of the church heritage of Boikos in live-action films and documentary films, in mass media and in photographs. With the help of the analysis of television plots and documentaries, the role of audiovisual art in the coverage of sacred objects has been defined.

The factors influencing the preservation of works of church heritage have been studied and generalized in detail.

Files

Presentation_of_the_Sacred_Heritage_of_Boikos_by_Means_of_Audiovisual_Art.pdf

Files (217.8 kB)

Additional details

References

  • Badyak, V., 1994. Koliziia ukrainskoho sakralnoho mystetstva [Collision of Ukrainian sacred art]. In: Ukrainske sakralne mystetstvo: tradytsii, suchasnist, perspektyvy [Ukrainian sacred art: traditions, modernity, prospects]. Proceedings of the international scientific conference. Lviv, Ukraine, 4-5 May 1993. Lviv: Svichado, pp.143-150.
  • Baranova, T.I., Kisil, I.M. and Bazhan, O.V. eds., 2019. Kinolitopys: anotovanyi kataloh kinozhurnaliv, dokumentalnykh filmiv, kino- i telesiuzhetiv (1986-1995) [Film Chronicle: annotated catalog of film magazines, documentaries, film and television stories (1986-1995)]. Kyiv.
  • Drobotenko, A.E., 2017. Dokumentalne kino i zhurnalistyka: vzaiemozviazok poniat [Documentary film and journalism: the relationship of concepts]. Visnyk Kharkivskoho natsionalnoho universytetu imeni V. N. Karazina. Seriia "Sotsialni komunikatsii", 11, pp.4-7.
  • Dyba, Yu., 2015. Boikivska tserkva [Boykivska Church]. Entsyklopediia "Naukove tovarystvo imeni Shevchenka". [online] Available at: <http://encyclopedia.com.ua/search_articles.php?id=367> [Accessed 13 March 2021].
  • Havran, I. and Botvyn, M., 2020. Dokumentalne kino v suchasnomu ekrannomu dyskursi [Documentary film in modern screen discourse]. Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Arts and Production, 3(1), pp.11-19. DOI: https://doi.org/10.31866/2617-2674.3.1.2020.202649
  • Gogol, N., 1959. Vii [Viy]. In: Sobranie sochinenii [Collected Works]. Moscow: Goslitizdat, pp.154-194.
  • Honcharuk, S. and Shurypa, A., 2019. Novi media ta tradytsiini ZMI u komunikatyvnomu poli [New media and traditional media in the field of communication]. Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Arts and Production, 2 (1), pp.59-66. DOI: https://doi.org/10.31866/2617-2674.2.1.2019.170872
  • Kurchyna, T., 2013. Tekhnolohii formuvannia hromadskoi dumky cherez ZMI [Technologies of forming public opinion through the media]. Ukrainske zhurnalistykoznavstvo, 14, pp.36-39.
  • Lytovchenko, O., 2017. Ekranizatsiia povisti M. Hoholia "Vii" na Chernihivshchyni (do 50-yi richnytsi vykhodu kinostrichky na ekrany) [Screening of M. Gogol's novel "Eyelashes" in Chernihiv region (to the 50th anniversary of the film's release)]. Siverianskyi litopys, 4, pp.146-153.
  • Moskalenko-Vysotska, O., 2020. Osoblyvosti relevantnosti ukrainskoi ekranizatsii [Features of the relevance of Ukrainian film adaptation]. National Academy of Managerial Staff of Culture and Arts Herald, 1, pp.121-126.
  • Terelyak, O., 1990. Murovani ta dereviani tserkvy Boikivshchyny [Brick and wooden churches of Boykivshchyna]. In: L. Burachynska, ed. Litopys Boikivshchyna, 1/50 (61), pp.4-5.
  • Voynalovych, V.A., 2003. Boiky [Fights]. In: A. Smolii, ed. Entsyklopediia istorii Ukrainy [Encyclopedia of the History of Ukraine]. Kyiv: Naukova dumka, p.324.