Shenqiang Yong Dance: The Art of Practicing Yong (神强永舞论总纲——以身行永的艺术)

Dance research has extensively discussed movement forms, styles, and stage presentation, but lacks a systematic observational and training framework for the internal states of Qi, spirit, and intention within the dancer's body. As the general outline of the "Shenqiang Yong Dance" series, based on the Pure Point Ontology of Yong Lun V2, this paper understands dance as "the reorganization and manifestation of Yong (noumenal entities and noumenal laws) within the micro-structures of the body." It proposes the basic proposition that "the dancer is the movement of life," takes "Shenqiang" (abundant and inexhaustible life force) as the core state, and adopts "Form—Qi—Spirit—Yong" as the training sequence (corresponding to the three-dimensional evolutionary history of the universe), with the "Five Verifications" as objective physical feedback for bodily self-examination. The paper summarizes six practical dimensions: rhythm, Qi-strength, body sensation, field, choreography, and growth, and points out that the highest form of "natural choreography" is the dancer's resonance with the "Unknown" space-time without conscious awareness. Shenqiang Yong Dance is not only the nourishment of the body but also a micro-practice of civilization fulfilling its cosmic mission of "knowing Yong, using Yong, nurturing the universe, and achieving eternal existence."

 

舞蹈研究对动作形态、风格流派与舞台呈现已有大量讨论,但对舞者身体内部的气、神、意等运行状态,仍缺乏系统的观察与训练框架。本文作为“神强永舞”系列论文的总纲,基于《永论》V2的纯粹点本体论,将舞蹈理解为“永(本然实体与本然法则)在身体微观结构中的重组与显化”。本文提出“舞者,命动也”的基本命题,以“神强”为核心状态,以“形—气—神—永”为修习次第(对应宇宙三维演化史),以“五验”为身体自检的客观物理反馈。本文归纳了节奏、气劲、身感、场域、编舞、成长六重实践维度,并指出:最高级的“自然编舞”,是舞者在不知不觉中与“未知的时空”共振。神强永舞不仅是身体的养护,更是文明履行“知永、用永、养宇、永有”这一宇宙使命的微观实践。