THE NOVEL "YALDO KECHASI" ("THE NIGHT OF YALDA") AS AN EXAMPLE OF INTERTEXT
Authors/Creators
- 1. Asian Technology University, Head of the Department of Languages, Doctor of Philosophy (PhD) in Philological Sciences
- 2. Worldly Knowledge Publishing Centre
Description
The article analyses the novel “Yaldo kechasi” (2025) by Xayriddin Sulton from the standpoint of the theory of intertextuality. The work is examined as an example of intertext through its hypertextual link with Abdulla Qodiriy’s novel “Oʻtkan kunlar” (“Bygone Days”), the strategy of literary mystification (the found manuscript and false authorship), stylistic imitation, the incorporation of historical documents, letters and poetic texts into the fabric of the novel, and allusions and reminiscences. The study also elucidates the novel’s character system and its interpretation of historical events on the basis of the principle of intertextuality, and substantiates that intertextuality is the leading means in the transformation of historical truth into artistic reality.
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Additional details
References
- 1.Sulton X. Yaldo kechasi: an artistic fiction based on historical documents. – Tashkent, 2025. – 464 p. (in Uzbek).
- 2.Qodiriy A. Oʻtkan kunlar (Bygone Days). – Tashkent: Gʻafur Gʻulom Publishing House (various editions). (in Uzbek).
- 3.Iskandar I. "Yaldo kechasi": Conclusions and Lessons // Jadid.uz. – 9 January 2026. (in Uzbek).
- 4.Quronov D. Fundamentals of Literary Theory. – Tashkent: Akademnashr, 2018. (in Uzbek).
- 5.Homidova M. Intertextuality in the Perception of a Literary Text. Abstract of the dissertation for the degree of Doctor of Philosophy (PhD) in Philological Sciences. – Tashkent, 2021. (in Uzbek).