Divine DNA (2016): Curatorial Essay and Research Publication

Divine DNA (2016): Identity, Representation, and Symbolic Systems documents a large-scale artistic research project examining the relationship between identity, representation, and human diversity through a self-contained symbolic framework. Conceived in 2006 and realized between 2010 and 2016, the artwork consists of 249 unique abstract symbols, each representing a distinct national entity within a unified visual structure.

Combining symbolic abstraction, systematic organization, and large-scale painting, the project investigates alternative approaches to visualizing complex cultural relationships beyond conventional cartographic and textual forms of representation. The publication examines the historical context, conceptual foundations, research significance, and technical development of the work, situating it within broader discussions in artistic research, visual culture, identity studies, and systems-based representation.

As a documented artistic research output, Divine DNA contributes to ongoing discourse concerning the capacity of visual art to function as a framework for inquiry, symbolic organization, and the exploration of complex human structures.

Keywords

Artistic Research; Contemporary Art; Visual Culture; Identity Studies; Symbolic Systems; Representation; Abstraction; Systems Theory; Global Identity; Cultural Studies; Conceptual Art; Painting; Human Diversity; Research-Based Art; Visual Representation