Published June 4, 2026 | Version 1.0.0
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ARGIRA V: Cross-Corpus Evidence for Predictor Inversion in Visual-to-Acoustic Mapping

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Description

ARGIRA V investigates whether the same visual variables predict roughness across visual and acoustic domains.

The study combines five independent visual corpora (n = 319 images) and one acoustic corpus (n = 72 sonifications), yielding a total of 391 analyzed cases.

Across visual corpora, edge density consistently predicts visual roughness (Spearman ρ = 0.49–0.84), while luminance contrast shows stable secondary effects (ρ = 0.56–0.74). In contrast, acoustic roughness is primarily predicted by hue entropy (ρ = 0.595), with edge density remaining only a secondary predictor (ρ = 0.428).

This produces a predictor inversion between domains: the dominant predictor of visual roughness is not the dominant predictor of acoustic roughness.

Feature-correlation analysis further indicates that edge density and hue entropy are nearly orthogonal within the visual feature space, suggesting that they capture independent dimensions rather than a common latent factor.

The study identifies three operational regimes:

  1. Stable chromatic regime (reproducible mappings).
  2. Grayscale-collapse regime (artefactual saturation effects).
  3. High-edge-density structural regime (valid extreme cases).

Removal of grayscale-collapse cases eliminates the apparent negative saturation–roughness relationship, demonstrating that previous saturation effects were artefacts generated by grayscale outliers.

The results support a multilayer sonification architecture in which structural information (edge density) and chromatic information (hue entropy) should be represented independently because they contribute non-redundant information to different roughness domains.

Files included:

• multilayer_features.csv
  Visual feature dataset used for cross-feature analysis.

• unified_acoustic_entropy_v4.csv
  Acoustic roughness and entropy measurements.

• argira5_correlation_results.csv
  Spearman correlation outputs reported in the study.

• argira5_multilayer_feature_analysis.py
  Statistical analysis pipeline.

• argira_multilayer_v1-2.py
  ARGIRA multilayer sonification implementation.

• README.md
  Documentation and reproducibility notes.

DOI: 10.5281/zenodo.20534328 License: CC BY-NC 4.0

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Additional details

References

  • Ranero Garcia, J. (2026). ARGIRA – Experiment 9: Generalization to New Corpora. Zenodo. https://doi.org/10.5281/zenodo.20516325
  • Zwicker, E., & Fastl, H. (1990). Psychoacoustics: Facts and Models. Springer.
  • Krumhansl, C. L. (1990). Cognitive Foundations of Musical Pitch. Oxford University Press
  • Kramer, G., Walker, B., Bonebright, T., Cook, P., Flowers, J., Miner, N., Neuhoff, J., Bargar, R., Barrass, S., Berger, J., et al. (2010). Sonification Report: Status of the Field and Research Agenda. International Community for Auditory Display (ICAD).
  • Bergström, I., Seinfeld, S., Arroyo-Palacios, J., Slater, M., & Sánchez-Vives, M. V. (2021). Sonification approaches for visual art and image representation
  • Ranero García, J. (2025). ARGIRA: A Painting Sonification System Based on Chromatic Structure. Extended Abstract submitted to ICAD 2026.
  • Ranero García, J. (2025). Aliasing Dataset v1 (Addendum 2). Zenodo. DOI: 10.5281/zenodo.20252194.