The Law of Ontological Uniqueness: The Principle of Absolute Origin

Abstract

Following 'The Law of Ontological Uniqueness', this work presents 'The Theory of the Originality of the Copy (TOOC)' and the 'Five-Theater Principle'. Furthermore, it introduces and elucidates 'The Stabbing Paradox' to explain the nature of 'Intra-Dimensional Truth'."

Keywords 

Ontological Uniqueness, Theory of the Originality of the Copy (TOOC), Bhodhaanubhavam, Intra-Dimensional Truth, Sovereign Reality, Five-Theater Principle, CER Factor, Absolute Origin.