The Frame Theory of Temporal Perception — A Synthesis of 3D Holographic Mesh Dynamics and Human Consciousness

The investigation of temporal perception has historically been constrained by a profound dichotomy between classical linear progression models and non-linear, deterministic block-universe interpretations. The Frame Theory of Temporal Perception, pioneered by independent researcher Pasan Senanayake, introduces a paradigm-shifting structural ontology that successfully reconciles physical universal topology with subjective conscious experience.1 This comprehensive white paper delineates the core axioms of Frame Theory, positing that the universe, encompassing all planetary systems and physical events, exists as a vast, static series of 3D holographic frames.1 Under this rigorous theoretical framework, time itself is not an intrinsic, flowing property of the cosmos but an experiential byproduct generated by the movement of human consciousness—functioning as the sole active agent—traversing this pre-existing geometric mesh at the speed of light.1

This theoretical architecture offers robust, systematic explanations for widely documented temporal and cognitive anomalies. It redefines phenomena such as déjà vu and jamais vu not as psychological misfires, memory retrieval errors, or precognitive events, but as highly specific localized synchronizations or "glitches" within the holographic structure.1 Furthermore, an extensive review of current academic literature, physical science repositories, and preprint servers confirms that while isolated elements bearing the nomenclature of "frame theory" exist in artificial intelligence and behavioral psychology, the specific cosmological and temporal synthesis proposed by Senanayake has not been formally published in peer-reviewed scientific literature or repositories such as Zenodo.4

Consequently, this white paper serves as the foundational documentation for an entirely novel temporal model, structured for formal academic and interdisciplinary evaluation. By establishing consciousness as the locomotive force traversing a moldable 3D holographic mesh, this paper dismantles paradoxical simultaneous-occurrence philosophies. It integrates the neurobiology of subjective duration, the physics of relative motion, and the mechanics of reality engineering into a logically consistent, scientifically rigorous framework for understanding human temporal experience.1