SOCIOPLASTICS [1502] — Conceptual Art as Protocol System — Instruction, Execution, and Operational Logic — Topology Fields — Tome II
Description
This essay develops conceptual art as the protocol layer within a system of ten interdependent fields. If linguistics provides structure, conceptual art provides execution. Protocol transforms vocabulary into operation through instructions, procedures, and repeatable actions. The work is therefore understood as an executable structure capable of being deployed across platforms and contexts. In relation to the other fields, protocol activates linguistic structure, produces propositions that enter epistemic validation, feeds recursive operations in systems theory, generates architectural structures through publication, distributes outputs territorially, materialises through media formats, enables morphogenetic growth through repetition, produces circulation through movement, and becomes stabilised through infrastructure. Conceptual art is therefore the operational engine of the system.
Files
Socioplastics-1502-Conceptual-Art-Protocol-System.pdf
Files
(93.2 kB)
| Name | Size | Download all |
|---|---|---|
|
md5:a432dec76452b6743a1f3c62afb28921
|
89.2 kB | Preview Download |
|
md5:1a545efe676efc55e7797e6778fabc9c
|
4.0 kB | Preview Download |
Additional details
Dates
- Created
-
2026-03-22
References
- LeWitt, S. (1967). "Paragraphs on Conceptual Art". Artforum, 5(10), pp. 79–83.
- Weiner, L. (1968). Statements. New York: Louis Kellner Foundation.
- Manovich, L. (2001). The Language of New Media. Cambridge, MA: MIT Press.
- Austin, J. L. (1962). How to Do Things with Words. Oxford: Clarendon Press.
- Fuller, M. (2005). Media Ecologies: Materialist Energies in Art and Technoculture. Cambridge, MA: MIT Press.