Published February 26, 2026 | Version v1
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THE CREATIVE OEVRE OF ALEKSANDR FЕYNBERG AS A SYNTHESIS OF HUMANISTIC VALUES AND AESTHETIC REFLEXION

  • 1. Third-Year Student Uzbekistan State World Languages University Tashkent, Uzbekistan

Description

This article examines the creative oeuvre of Aleksandr Faynberg as a multidimensional synthesis of humanistic values and aesthetic reflection. Situated at the intersection of cultural traditions and linguistic identities, Feinberg’s poetry reveals a distinctive artistic consciousness shaped by both national rootedness and universal ethical concerns. The study explores the philosophical foundations of his poetic worldview, focusing on themes such as human dignity, moral responsibility, historical memory, and spiritual resilience.

Through close textual analysis and a contextual approach, the article identifies the key aesthetic principles underlying Feinberg’s work, including lyrical introspection, symbolic imagery, dialogic engagement with cultural heritage, and the integration of personal and collective experience. Particular attention is paid to the ways in which humanistic ideals are transformed into artistic structures, generating a poetics that harmonizes emotional depth with intellectual reflection.

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References

  • .Faynberg, A. (1982). Otkrovenie [Revelation]. Tashkent: G. Gulyam Literature and Art Publishing House.
  • .Faynberg, A. (1967). Etyud [Etude]. Tashkent: Yosh Gvardiya Publishing.
  • Faynberg, A. (1990). Sonety svobody [Sonnets of Freedom]. Tashkent: Uzbek Writers' Union Press.
  • National Encyclopedia of Uzbekistan. (2001). Vol. 10, p. 560. Tashkent: State Scientific Publishing House.
  • Osmondagi stadion [The Stadium in the Sky]. (1999). Film directed by Shuhrat Abbasov; screenplay by A. Faynberg. Tashkent: Uzbekfilm.