ARTISTIC REPRESENTATION OF HUMAN VALUE AND FAMILY THEMES IN UZBEK DRAMATURGY OF THE 1940s–1960s

The article analyzes the stage interpretations of Uzbek dramaturgy of the 1940s–1960s based on the reconstruction method. It examines how ideas such as post‑war spiritual revival, human value, family value, compassion, and the value of peace are expressed through dramaturgical structure and stage presentation. In conditions where performances have not been fully preserved, reconstructive analysis is carried out based on play texts, critical articles, and press materials.