ARCHITECTONICS OF THE CYCLIZED TEXT

Abstract

In a romantic cycle, dialogue can unfold in such a way as to create an opportunity to bring a conflict out of the hero's subconscious and explore possible solutions.

In a dialogized artistic context, agreement, doubt, or an outright denial of the possibility of the narrated plot arises. The narrator in this case acts as a mediator between the story they are currently imagining and the realization of its meaning that arises after its retelling.

The narrative creates a parallel correspondence between the two stories, with the latter being a consequence of the emotional impact of the previous one.

The romantic cycle was based on the principle of dialogic structure, and its development could be stimulated by the debate between the listeners of the stories about the likelihood of the mystical and fantastical world invading their everyday reality. Ultimately, the entire plot represented an endless search for truth, which ultimately lifted the veil of ever new mysteries and remained elusive.