A STUDY OF LACONIC STYLE IN RAYMOND CARVER'S SHORT STORIES

This article explores the use of laconic style in the short stories of Raymond Carver, a central figure in American minimalist fiction. It examines how Carver’s sparse language, elliptical dialogue, and strategic omissions construct meaning and emotional depth. The study employs textual analysis of selected stories, including Cathedral, What We Talk About When We Talk About Love, and Neighbors. The findings indicate that Carver’s laconicism is a deliberate artistic tool to convey psychological realism, tension, and ambiguity. This research underscores the significance of minimalist techniques in enriching narrative economy and reader engagement.