THE CULTURE OF 'WAYANG GOLEK' IN AN EPISTEMOLOGICAL, ONTOLOGICAL AND AXIOLOGICAL PERSPECTIVE

Abstract

Wayang Golek is a traditional cultural art in Indonesia, which contains very deep philosophical values. These philosophical values can be explored from the perspectives of epistemology, ontology and axiology, all three of which are an integral part of the Philosophy of Science. For this reason, this research aims to reveal the philosophical values of Wayang Golek from the perspective of epistemology, ontology and axiology. This research uses a philosophical-phenomenological approach and uses interdisciplinary-qualitative analysis to analyze the philosophical meaning of the wayang golek performance phenomenon, both from knowledge and moral and religious aspects. From this research, it was concluded that epistemologically, wayang golek functions as a medium for cultural inheritance through the symbolism of figures and oral traditions that convey moral, social and spiritual teachings to society. Ontologically, wayang golek represents the values of truth, moral and spiritual values. The messages of honesty, courage, loyalty and love for the country are reflected in the characters, such as Semar, Arjuna, Bima, Gatotkaca, and others. Wayang golek is not just a wooden puppet, but a symbol of the victory of the struggle of good against evil. Axiologically, wayang golek is useful for applying noble values in life. Thus, wayang golek is not just entertainment but is a space for reflection to understand moral and spiritual values in society.

Keywords: Wayang Golek, Epistemology, Ontology, Axiology, Sundanese Culture.