CONCENTRATION OF SPACE IN THE "THRESHOLD" TOPOS IN L. PETRUSHEVSKAYA'S ONE-ACT PLAYS (ON THE EXAMPLE OF THE PLAY "MOSCOW CHOIR")

The article examines the phenomenon of concentration of space in the "threshold" topos of Lyudmila Petrushevskaya's one-act plays using the play "Moscow Choir" as an example. It analyzes how closed and limited space becomes a symbolic threshold between different states: life and death, past and present, reality and absurdity.