Published September 30, 2024 | Version CC-BY-NC-ND 4.0
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Jhumpa Lahiri's The Namesake Through the Lens of Diaspora Literature

  • 1. Faculty of Foreign Languages, Islamic Azad University, North Tehran Branch, Tehran, Iran.

Description

Abstract: Abundant papers have been written on Jhumpa Lahiri’s The Namesake, endeavoring to elaborate on alienation, ecologic overtones, cross-cultural conflict, feminism, existentialism, and identity crisis, to name a few. However, navigating through a labyrinth of complexities, this study, in addition to cultivating the results found hitherto, aims to crack the case of two acculturation strategies opted by Gogol, namely assimilation and integration. To further the point, this qualitative research which has been done based on a close reading approach, will reveal Gogol’s shift of strategy from assimilation to integration. In the second place, the lights are to be shed on the remarkable traces of re-orientalizationin the selected work, especially during the arrival of Gogol in Maxine’s house where binary opposition, i.e., the Occidental Culture/ Oriental Culture will be visible. Furthermore, this paper sets out to lay bare Moushumi as a foil character for Ashima, who, unlike Ashima’s vigorous allegiance to her husband, Bengali roots, and Patriarchal norms, is a Byronic-like character with intelligence, selfishness, refractoriness, complacency, and penchant for infraction of patriarchal rules. Last but not least, this study aims for a deeper understanding of the kernels of this diasporic novel including alienation, uprootedness, nostalgia, and search for genuine identity.

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Additional details

Identifiers

DOI
10.35940/ijmh.B1528.11010924
EISSN
2394-0913

Dates

Accepted
2024-09-15
Manuscript received on 23 August 2024 | Revised Manuscript received on 31 August 2024 | Manuscript Accepted on 15 September 2024 | Manuscript published on 30 September 2024.

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