The Eternity of an Instant Imagery Arts in Empirical Science

By practice and a posteriori theorization, I discuss the intersection between the arts and the science. Contributed by the systematic denials from the politico structural environment, I adopted a framework of knowledge production and communication with the arts and cinematic technologies to detect and evidence nuclear proliferation and its environmental impact. Apart from the suggestion from literature on the application of quantum chromodynamics (QCD), I also theorize that the adoption of graph theory from mathematics to the arts is a distinct feature in the classical and contemporary arts, with the differentiation from figure to concepts. In the cinematic subdiscipline of art history, the symbolization of early humanitarian elements in artworks, the imagery figurations derived from the psychoanalytic results of ideological texts in given sociostructural environments. For example, even though cinematic realism started with the Lumière brothers, the technology’s expectations on the human spirits in outer space detection and exploration started from Georges Méliès’ A Trip to the Moon in 1902. With the metaverse arts’ hypotheses and developments, I attempt to discuss the concept of meta in the metaverse arts from my experiences in the scientific research of singularities.