The Potential Problems of AESUB Sublimating Scanning Sprays for 3D Scanning in Conservation
Authors/Creators
- 1. The Royal Danish Academy, Institute of Conservation, Copenhagen, Denmark
Description
There is an interest in using 3D scanning techniques in the field of conservation and restoration (Acke et al. 2021). Many are already using these techniques for digitization and research purposes, or 3D reproductions of objects (Acke et al. 2021). 3D scanning does have some challenges when it comes to objects with shiny, transparent, or dark surfaces (McMillion 2022, Motley 2021, Mubanga 2022). Hair, fur and feathers may be difficult to scan (McMillion 2022), as well as bones and teeth, according to the experience of the authors. There are various methods to help overcome this challenge, one being scanning sprays (McMillion 2022, Motley 2021). AESUB sublimating scanning sprays (produced by the AESUB company, hereafter "AESUB-spray") are used to make the surfaces more opaque, and like similar sprays, they are useful tools when dealing with challenging surfaces (McMillion 2022, Motley 2021). Their ability to disappear on their own makes them especially useful when working with objects, as cleaning becomes unnecessary (Christova 2020, Rowe and Rozeik 2008, Weththimuni and Licchelli 2023). But do the AESUB-sprays disappear completely, as implied by the manufacturer (AESUB 2023) or does something remain on the surface of objects once the matting effect has subsided?
In this study we tested three types of AESUB-sprays: AESUB Blue, AESUB Transparent and AESUB Yellow. These were chosen because their chemical composition was representative of the compounds found in the six sublimating scanning sprays that AESUB has produced, while being significantly different from one another in their specific chemical composition.
One test involved a continuous application AESUB-spray on small glass samples, as seen in Fig. 1. All samples were partially covered by aluminum foil before spray was applied. The foil was removed after the final application. The test clearly indicated that all three sprays left residue on the surface of the samples, as seen when comparing the control sample (1.A) to the treated samples (1.B-1.D). It appears that the residue accumulates with continued application of AESUB-spray, and preliminary tests suggest that the residue will remain for several months.
The residues that accumulated on the surface of the glass samples shown in Fig. 1 were collected and examined with FTIR (Fourier-Transform Infrared Spectroscopy), specifically with an UATR-accessory (Universal Attenuated Total Reflectance) and with transmission spectroscopy where the residue was mixed with KBr (potassium bromide). The spectra produced generally indicate the presence of hydrocarbons, but more testing is required to identify the specific compostition. However, the bottom spectrum shown in Fig. 2, where the residue of AESUB Yellow was examined with FTIR UATR, may indicate the presence of carboxylic acid.
The exact contents of the residue, if such residues are left by other scanning sprays, or how the residue can potentially affect objects in the long term, has yet to be determined. The potential presence of carboxylic acid in the residue of AESUB Yellow can have a degrading effect on a variety of materials such as metals, glass and organic materials. Depending on the composition of the residue from AESUB-sprays, or similar sprays, there could be other compounds that could contribute to the degradation of objects. It is therefore important that we take a closer look at these types of sprays, and that we keep these residues and their potential risks in mind, if or when we apply these types of sprays to objects.
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Additional details
Related works
- Cites
- Publication: 10.1016/j.culher.2020.12.003 (DOI)
- Publication: 10.1201/9781003412588 (DOI)
- Publication: 10.1179/sic.2008.53.Supplement-2.17 (DOI)
- Publication: 10.3390/coatings13020457 (DOI)
References
- Acke L, De Vis K, Verwulgen S, Verlinden J (2021) Survey and literature study to provide insights on the application of 3D technologies in objects conservation and restoration. Journal of Cultural Heritage 49 https://doi.org/10.1016/j.culher.2020.12.003
- AESUB (2023) Your partner for scanning supplies: 3D scanning sprays & accessories. AESUB - State of the art scanningspray URL: https://aesub.com/en/dl-en/
- Christova A (2020) A Comparison of Selected Photogrammetric Techniques for Creating 3D Models of Cultural Objects with Specular Surface. University of the Peloponnese, Department of History, Archaeology and Cultural Resources Management.
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- Mubanga K (2022) What is photogrammetry? URL: https://www.artec3d.com/learning-center/what-is-photogrammetry
- Nielsen B (2024) Potentielle problemer forbundet med brugen af AESUB sublimerende scannings sprays til 3D optisk scanning indenfor konserveringsfaget. The Royal Danish Academy, Copenhagen.
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- Weththimuni M, Licchelli M (2023) Editorial: Heritage Conservation and Restoration: Surface Characterization, Cleaning and Treatments. Coatings 13 (2). https://doi.org/10.3390/coatings13020457