Published July 16, 2018 | Version v1

Передумови формування творчих уподобань архітектора Анатолія Добровольського

Description

Problems of forming in architectural science and practice were a stumbling block at all times. The study of the creative achievement of Professor AV Dobrovolsky in the socio-cultural context of the Soviet period will allow us to follow the national traditions in forming the Ukrainian architecture that existed at the time and are determined in the leading architectural monuments of Ukraine. Relationship of work with scientific programs, plans, themes. The research is carried out in accordance with the plan of research work of the Department of Theory, History of Architecture and Art Synthesis of the National Academy of Fine Arts and Architecture, included in the fundamental scientific tasks facing the modern theory and history of Ukrainian architecture. Relevance of the chosen topic. In contemporary architectural practice, there is an urgent need to study the architectural heritage and to assimilate the historical experience of the creativity of the architects of the Soviet period. The question of the formative development of Ukrainian architecture at that time should be investigated by Anatoly Volodymyrovych Dobrovolskyi (19.05.1910 - 19.04.1988), whose professional activity was the whole period of the formation of Soviet architecture and is part of its development in Ukraine, on the example of creativity of the outstanding practice and architectural theorist Anatoly Volodymyrovych Dobrovolsky. Analysis of recent research and publications. The architectural creativity of AV Dobrovolsky was reflected: in his lifetime publications about him, the review-analytical works, in which the figure of the architect was involved in the consideration as the author of architectural objects; memoirs of contemporaries, as well as in his own publications. In post-war periodicals, isolated moments in the work of the master were selectively lit. The development of general theoretical aspects on the theme of stylistics of Ukrainian architecture was studied by AV Ikonnikov, Yu S. S. Yaralov, S.O. Khan-Magomedov, AP Marder, V V Chepelyk, Yu. S. Aseev, GV V. Golovko, V. I. Zabolotny, G. A. Lebedev, A. Puchkov. Famous architects and artists Yu. S.Aseev, G.O. Lebedev, P.G. Yurchenko, V.V. Chepelyk, ZV Moyseenko, Boris L. Erofalov and others, noted the importance of the contribution of AV Dobrovolsky to the development of the national architectural school. Purpose: To find out the main factors (styles, theories, creativity of individual architects and their associations) that influenced the creation of the creative credo of architect AV Dobrovolsky. Conclusions The formation of the creative skill of the architect A.V. Dobrovolsky developed under the influence of the leading directions in the architecture of Ukraine at the beginning of the twentieth century. The main factor that directly influenced the figurative solution of the objects of the architectural heritage of the artist is the desire of the architect to comprehensively study and implement the images of the national Ukrainian architecture.An important prerequisite for the development of A.V. Dobrovolsky's creative views was the experience of teachers and colleagues who defended national orientations, embodying the idea of using the synthesis of arts in architecture. The greatest influence was made by the masters of the Kyiv Architectural School: a partial appeal to constructivism (studying at J. Y. Karakis), the use of elements of folk architecture (work with MV Khosostank), the Ukrainian baroque (the work of DM Dyachenko), the use of new construction materials, and the synthesis of arts (the introduction of PF Aleshin).

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