Published January 1, 2008 | Version v1

Aesthetic Engagement and the Human Environment

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Description

The idea of environment as an all-inclusive context in which humans are wholly interdependent with natural forces and other organic and inorganic objects applies equally to urban environments. Introducing an aesthetic dimension into an ecological model is both illuminating and important, for the ecological concept of an all-inclusive, interdependent environmental system has its experiential analogue in aesthetic engagement. Aesthetic engagement may be exemplified by the perceptual character of the various arts, and it can be the basis for creating an aesthetic ecology. It is a value that can be deliberately incorporated into the design of environmental experience, and it can serve as a guide in re-shaping and humanizing the urban landscape.

Notes

Presented at the international conference on Environment, Aesthetic Engagement, and the Public Sphere, Paris, 9 May 2007. Translated into Chinese and reprinted under the title, "Aesthetic Ecology and the Urban Environment" in Academic Monthly, Vol. 3, 2008. This paper has been selected and re-printed by the center for copied papers and articles of Renmin University of China.

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References

  • Immanuel Kant, Critique of Pure Reason (1787), First Part, ยง1 (A 20-21, B 34-35)
  • William James, Principles of Psychology (1890), p. 462.
  • Maurice Merleau-Ponty, "The Primacy of Perception," in The Primacy of Perception and Other Essays on Phenomenological Psychology, the Philosophy of Art, History and Politics, ed. James M. Edie (Northwestern University Press, 1964).