TÜRK İSTİKLAL MARŞININ PLASTİK SANATLARDAKİ UZAMSAL KODLARI VE KÜLTÜREL ANOLOJİSİ.

The War of Independence, as the most important struggle in Turkish history, has been handled with different subjects in cinema, literature and painting arts. Therefore, cultural values and patriotism were coded on surfaces in a plastic context and presented documentary examples from Turkish national history to future generations. The pain, sacrifice and freedom struggle of the Turkish people have been rendered visually visible and perceptible by transferring the lines of the National Anthem from poetic literature to pictorial literature. The main artists of the works that passed from this abstract context to the concrete field; In the works of Hikmet Onat, İbrahim Çallı, Namık İsmail, Avni Çelebi, and Z. Kocamemi, there are frames that almost refer to the lines of the National Anthem, and romantic or expressive color and pattern understandings. In fact, these works can be thought of as constructing the plastic arts picture album of the National Anthem. Purpose of the research; to present to future generations the awareness of the synthesizable analogy of these literary and plastic works and to increase national consciousness. The importance of research; It is to increase the awareness of future generations through art by examining the Turkish national existence and integrity with the vision of national struggle artists. The research was carried out with the qualitative research method and a literature review was made in order to reach the data, picture analysis and poetry analysis were synthesized by making judgments in the anological context. As a result of the research, it was concluded that the moral support to the national consciousness is important for the survival of the nation, with the works presented by the artists of two different disciplines such as literature and painting, and it was concluded that rich works were produced that would portray the war of independence as if they were living with the romantic and expressive expressions of the painters. In other words, this judgment can be read with the proposition that the National Anthem is depicted in plastic arts.

Keywords: National Anthem, Mehmet Akif Ersoy, War of Independence Pictures, Culture, Anology.