AESTHETICS OF LAUGHTER CULTURE IN THE PROSE OF O. SOMOV IN THE LIGHT OF PARODY OF MYTHOLOGICAL STORIES
Authors/Creators
- 1. Doctor of Pedagogy, Associate Professor, Kazakh National Medical University named after S. Asfendiyarov
- 2. associate professor, Kazakh National Pedagogical University named after Abay
- 3. Master of Science Senior Lecturer Kazakh National Pedagogical University named after Abay
- 4. Master of Science Senior Lecturer Caspian State University of Technology and Engineering named after Esenov
- 5. Teacher Secondary school named after O. Jandosov.
Description
In the literary text of the writer, the polarization of the author's voice and the voices of the characters was manifested, allowing in several verbal fragments to highlight the individual-personal perception of the world by his characters, and the author himself avoids intonation of mentoring or open moralization. The ironic position of the author organizes such a development of the plot, when alogisms are formed by circumstances and the futile efforts of the characters to overcome them. The writer says that the human mind is limited by the infinite wisdom of life itself, each time opening a new stage of movement towards the truth. The laughter reaction is generated in the prose of O. Somov by deliberate exaggeration or understatement of the object. The grotesque as an artistic technique deforms reality, bringing objects and objects beyond the boundaries of plausibility. The real world is losing the basis of order and logic, as it paradoxically converges the comic, the tragic, the miraculous and the object-everyday. The laughter of O. M. Somov is not alienating and destructive, it has solid ideological and moral foundations, and therefore, in the ethical aspect, it is justified and positively significant.