A G eospatial and C artographic A nalysis of the Galician B lack G enre: the M ap as a T ool for a S ociology of S pace and for L iterary E ducation
Description
Ifspaceis,ingeneral,akeypillarofnarratology,inthecaseofcrimenovelstherelevanceandloadofmeaningofspaceisparticularlyrelevant.Inthenoirgenre,spacesoftenconveysymbolicandsociologicalvalues,areintimatelylinkedtothenarrativeplotandconstitutemorethanamerespatialframework.Oftenthecrimetakestheformofamessage,andtheinvestigatorpresentshimselfasahermeneutistwhoreadsthesignsinscribedinspace.Thisspatialrelevanceisalsorevealedinthefactthatthereareperceptiblegeographicalmarksinthefunctioningofthegenre,ascanbeexemplifiedbytheemergenceoftheNordiccrimenovelorbytheroleplayedbythebigcity,aswellasbythefrequentpresenceofsymbolicspacespregnantwithasemioticchargesuchasislands.
Startingfromthehypothesisthatthenoirgenreconstitutesaprivilegedvehiclefortheexpressionofgeospatialtensions,weintendtoanalyze,usinggeographicinformationsystems(GIS),thefunctioningofspaceintheGaliciannoirnovel,aswellasinaudiovisualfiction.Significantly,inrecentyearstheblackgenrehasemergedstronglyintheSpanishstatepreciselyinperipheralspaceswithacultureandlanguageofitsowninwhichidentitytensionsbetweensocialimaginariesareenormouslyenhanced.Thus,thetrilogyofBaztánbyDoloresRedondoandthecycleofLaciudadBlanca(TheWhiteCity)byEvaG.SáenzdeUrturihaveachievedenormousdiffusion,towhichtransmedialityhasalsocontributedthroughfilmadaptations.ItisnocoincidencethatinbothseriesthemurderstakeonaritualvaluethatentailsajourneythroughemblematicspacesandtraditionsofBasqueandNavarreseculture.Theresolutionofcrimesinvolvesdelvingintoculturalelements,spacesandmeaningsandestablishesacodethatremainsopaqueforthosewhodonotknowthegeographicalandculturalkeys.Beyondthepurposeofdisseminatingandpreservingculturaltraditionsandvalues,bothseriespointtothecentralityofspaceandthesocialimaginaryinthegenre.Infact,itcouldbesaidthattheriseofthenoirgenreinrecentyearshasadirectandnotaccidentalconnectionwiththespatialturnthatcharacterizesthepostmodernchronotope.
TheemergenceoftheGaliciannoirnovelislate.CrimeenCompostela(1984)byCarlosReigosaisconsideredtheworkthatmarksthebeginningofthegenreinGalicia.Butinrecentyearswecanspeakofarealhatching.AndwhileintheGalicianliterarytraditiontheprimacycorrespondedtotheruralarea,thenoirgenrehasprivilegedtheurbanenvironment,becomingatrueproducerofurbanliterarygeographies.FacedwiththeinauguralpresenceofSantiagodeCompostela,VigohasemergedasthecityinwhichblackfictionissetinapreferentialwayinGalicia.FacedwiththeimpossibilityofcarryingoutacompleteemptyingofallthegeographicalreferencescontainedintheGaliciannoirfictions,wewillchoosetocaptureonmapsthepriorityspacesofsetting(geolocationofthecrime,investigationspaces...)thatallowustohave
acartographictoolfortheinterpretationofsocialandterritorialmeanings.Bydevelopingthesemapswehopetoillustratethepotentialofliterarycartographytogenerateusefultoolsfortheanalysisandunderstandingoftheideological,identity,andsociologicalmechanismspresentintheconformationofliteraryspaces,aswellastoexploreitspotentialforliterarydisseminationandeducation.
Files
SpatHum2022_paper_14.pdf
Files
(80.1 kB)
Name | Size | Download all |
---|---|---|
md5:58464754dacb6aa43ea613b0f7b394fa
|
80.1 kB | Preview Download |