«Divine» and «Human» in Monumental Art of Eastern Halychyna in the First Third of the Twentieth Century: Image of Human Being

In this issue the image of a human being in monumental art including temple murals and stained glass windows was analyzing. The generalization of the «divine»and «secular»order images was made due to their place in the decoration of the temple (church) area. With defined into thematic groups images the penetration of profane characters into the sacred space of the church was researched. Also, based on achievements in the field of monumental art of M Sosenko, P. Holodnyj Sr., J. Butsmanyuk, Y.-H. Rosen et al, we determined the reasons of changes in the proportion of usage of these images in the church space of Eastern Halychyna in the first third of the twentieth century.