Published July 21, 2020 | Version v1
Conference paper Open

Artefacts of Presence


artefacts of presence uses archival material from a folk music archive and was part of the larger project addressing composition with archival material. In this piece, I used transcriptions of archival material to adapt to violin writing and techniques. I also use an extended bow attachment which is comprised of a minibee accelerometer whose speed and direction of movement influences digital sound processes of the violinist. The performative presence of the violinist on stage is established through a musical dialogue with the protagonists of the archival footage.



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