Our dynamic The Relevant Market for Music Streaming: Market Definition and Measurement Challanges document is a versioned work-in-progress publication, available from the Zenodo open science repository. It is built upon the actual application of competition law in non-UK jurisdictions (Antal 2017a, 2019a), and it is intended for further research and publication. After reviewing some methods to empirically collect data about quantities, prices, market shares and market power in the music markets, we present some ideas on the definition of music markets.
\n\nThe Github repo of the working paper is https://github.com/dataobservatory-eu/music-competition
", "languages": [ { "id": "eng", "title": { "en": "English" } } ], "publication_date": "2022-02-09", "publisher": "Zenodo", "related_identifiers": [ { "identifier": "https://zenodo.org/record/5554089#.YgGav-rMLIU", "relation_type": { "id": "cites", "title": { "de": "Zitiert", "en": "Cites" } }, "resource_type": { "id": "publication-report", "title": { "de": "Bericht", "en": "Report" } }, "scheme": "url" }, { "identifier": "10.13140/RG.2.2.21450.31686", "relation_type": { "id": "cites", "title": { "de": "Zitiert", "en": "Cites" } }, "resource_type": { "id": "publication-report", "title": { "de": "Bericht", "en": "Report" } }, "scheme": "doi" }, { "identifier": "978-1-915090-05-8", "relation_type": { "id": "cites", "title": { "de": "Zitiert", "en": "Cites" } }, "resource_type": { "id": "publication-report", "title": { "de": "Bericht", "en": "Report" } }, "scheme": "isbn" }, { "identifier": "10.6084/m9.figshare.19174310.v1/", "relation_type": { "id": "haspart", "title": { "de": "Umfasst folgenden Teil", "en": "Has part" } }, "resource_type": { "id": "image-figure", "title": { "de": "Abbildung", "en": "Figure" } }, "scheme": "doi" } ], "resource_type": { "id": "publication-workingpaper", "title": { "de": "Arbeitspapier", "en": "Working paper" } }, "rights": [ { "description": { "en": "The Creative Commons Attribution license allows re-distribution and re-use of a licensed work on the condition that the creator is appropriately credited." }, "icon": "cc-by-icon", "id": "cc-by-4.0", "props": { "scheme": "spdx", "url": "https://creativecommons.org/licenses/by/4.0/legalcode" }, "title": { "en": "Creative Commons Attribution 4.0 International" } } ], "subjects": [ { "subject": "Market definition" }, { "subject": "Relevant markets" }, { "subject": "Music industry" }, { "subject": "United Kingdom" }, { "subject": "Market analysis" }, { "subject": "Zero-price platforms" }, { "subject": "Online platforms" } ], "title": "The Relevant Market for Music Streaming: Market Definition and Measurement Challenges", "version": "20220215" }, "parent": { "access": { "owned_by": { "user": "58311" } }, "communities": { "entries": [ { "access": { "member_policy": "open", "members_visibility": "public", "record_submission_policy": "open", "review_policy": "open", "visibility": "public" }, "children": { "allow": false }, "created": "2022-01-09T09:34:38.545510+00:00", "custom_fields": {}, "deletion_status": { "is_deleted": false, "status": "P" }, "id": "0e33e350-33d7-48dc-9202-6b90fd662060", "links": {}, "metadata": { "curation_policy": "", "page": "", "title": "Competition Data Observatory" }, "revision_id": 0, "slug": "competition_data_observatory", "updated": "2022-10-30T16:54:48.143266+00:00" }, { "access": { "member_policy": "open", "members_visibility": "public", "record_submission_policy": "open", "review_policy": "open", "visibility": "public" }, "children": { "allow": false }, "created": "2021-05-19T15:28:11.714526+00:00", "custom_fields": { "subjects": [ { "id": "euroscivoc:945" }, { "id": "euroscivoc:1715" }, { "id": "euroscivoc:1403" }, { "id": "euroscivoc:1791" } ] }, "deletion_status": { "is_deleted": false, "status": "P" }, "id": "74b3126a-558f-40a1-b469-7b098181781e", "links": {}, "metadata": { "curation_policy": "We are going to publish here all curated data from the Digital Music Observatory, and we are looking for data related to the topic.
\n
\n- The data must be tidy, with all observations in rows, and all variables in columns.
\n- The data should be clearly described, and if possible, be reproducible with R or Python program code.
\n- If the dataset is not reproducible, we will try to make it reproducible with the author of the submitted dataset.
\n
\nOur aim is to create datasets that are periodically refreshed, and go through thorough unit testing.
The Digital Music Observatory is a fully automated, open source, open data observatory that links public datasets in order to provide a comprehensive view of the European music industry. The DMO produces key business and policy indicators that enable the growth of music business strategies and national music policies in a way that works both for music lover audiences and the creative enterprises of the sector.
\n\nIts data pillars are following the structure laid out in the Feasibility study for the establishment of a European Music Observatory:
\n\nThe Demo Music Observatory Pillars:
\n\n\n\n
Music is one of the most data-driven service industries where the majority of sales are already made by AI-driven autonomous systems. The DMO is a fully-functional service that can function as a testing ground of the European Data Strategy, showcasing the ways in which the music industry is affected by the problems that the Digital Services Act and the Trustworthy AI initiatives attempt to regulate. If these policies will work for the European microenterprise-dominated, complex and fragile European music ecosystem, then they are likely to make Europe fit for the digital age. We submit our automated observatory into the EU Datathon 2021 challenge.