The Social Dynamic And The Cultural Existence Of Terng Ly Tow

Terng Ly Tow is a form of performing arts from the Karen ethnic group. Based on the fieldwork informed by ethnographic research methods and ethnomusicology research methods at Kong Mong Ta village in Laiwo sub-district, Sangklaburi district, Kanchanaburi province, members of the community had been practising the performance for several generations. The meaning of the Terng Ly is dance and the meaning of Tow is a group. There are four types of Terng Ly Tow: Terng Ly Tow Mula, Terng Ly Tow Mongyow, Terng Ly Tow Kache, and Terng Ly Tow Salaploeiw. The performances strictly followed traditional codes observed among the Karen.

Terng Ly Tow is one of the identities of Karen Pwo. It is something the Karen people inherit and maintain in order to maintain their ethnic identity. Furthermore, it is one of the cultural performances held in every critical religious occasion and festive days of the Karen. Sometimes it is staged on specific events, such as an academic seminar and conference. Terng Ly Tow is providing entertainment to the villagers in the community. It also inserts the teachings of Buddhism, literature, education, creating unity in the community. Today Terng Ly Tow still holds significance to the Kong Mong Ta village as the community supported and sponsored the performances in various festivals. The community also participated in the performance. Once the community members recognized the roles and the significance of their culture embedded in Terng Ly Tow, they grew a consciousness to preserve and pass on the performances as an integral part of Karen life on Kong Mong Ta village and Causing Terng Ly Tow to continue to exist in society.