SiteCode,SiteName,FindType,Description,DateRecorded,BasisOfDate,InSitu?,Notes,,,,,,,,,,
APR02,Achalpur (Ellichpur) ,Sculpture (multiple) and architectural remains,"Loose sculptures of Durga, Krishna, four-armed Vishnu, Nandi and architectural members ",13th-14th century AD,Iconography,No,None,,,,,,,,,,
ABL08,Ambala,Sculpture (single),"Sculptural representation of Nandi, displaced from original context. Reported to have been discovered in the adjacent water tank.",Late Medieval,Stylistic,No,,,,,,,,,,,
ADP02,Amdapur,Inscription (unknown type),Inscription in Nagari script,Unknown,NA,Unknown,None,,,,,,,,,,
ADR01,Andhura,Inscription (copperplate),"3 plates of 1 ft 5.2 inch in length and 19.9 inch in height, tied by ring having seal square in shape; seal having depiction of Garud in centre and Ganapathi and Parvathi on either side, at bottom there is depiction of swastik and sword; Nagari script, sanskrit language",Samvat 851 (929 AD-Rashtrakut),Epigraphic evidence,No,Presently in Nagpur Central Museum,,,,,,,,,,
ADS01,Adasa,Sculpture (single),"Sculpture of Bhairav Shetrapal; 12 ft tall in ht; 8 handed- Valay, nagpash, damru, narmund, fruit, sheild, ankush, and trident; dog image",Rashtrakutta,Iconography,No,Similar to sculptures found in Kandhar and Mukhed of Marathwada region,,,,,,,,,,
AJT01,Anjanvati,Inscription (copperplate),"This copper plate inscription belongs to  Rashtrakutta king, Govind III and it is in Sanskrit language and script is similar to copper plate inscription of Paithan. This copper plate talks about donation of Anjanvati by king Govind III to 13 brahmanas.",Rashtrakut (800 AD),Epigraphic evidence,No,None,,,,,,,,,,
AMR01,Armori,Sculpture (single),"Sculpture of Swarupsundari, 7 ft 8 inch in ht.; seems to be female monkey",Pre Yadava,Iconography,No,Three hemadpanthi temples in the vicinity.,,,,,,,,,,
AYL02,Adyal,Sculpture (multiple),"Stray sculptures of
Hanuman, Nandi and some unidentified
pieces",Unknown,NA,No,None,,,,,,,,,,
AYL04,Adyal,Sculpture (single),Sculpture of Jaina Thirthankar Parshvanath,Unknown,NA,No,Found while digging the land.,,,,,,,,,,
BDG03,Beldongri,Sculpture (single),"Fragmentary stone sculpture. Badly worn, but possibly a representation of Narasimha. However, only the torso of the figure remains",Vakataka,Stylistic,No,,,,,,,,,,,
BDV01,Bhadravati,Sculpture (single),Buddha sculpture,Unknown,Unknown,No,None,,,,,,,,,,
BDV03,Bhadravati,Inscription (stone),Engraved on a dressed stone slab in local dialect and Sanskrit; records the renovation of a temple and the installation of an image of Narayana,"Saka 1248 (A.D. 1326), ",Epigraphic evidence,No,None,,,,,,,,,,
BDV06,Bhadravati,Inscription (copperplate),The copper belongs to Krishnadev I of Malkhed Branch and mentions the renovation of the Aditya temple in Udubarmanti (Possibly present village of Rani Umravati/ Rani Amravati).,Rashtrakutta (Malkhed Branch)- 694 AD,Epigraphic evidence,No,The copper plate gives the reference of seven villages of Rastrakuta time.,,,,,,,,,,
BDV07,Bhadravati,Inscription (copperplate),It records the donation of village Naganpuri by Rashtrakutta king Krishraj I. Inscription is in Sanskrit language in northern characters.,23 june 772 AD,Epigraphic evidence,No,None,,,,,,,,,,
BDV08,Bhadravati,Inscription (stone),It records the installation of Narayana icon in the temple by Jashanayak (son of Changanayak),15 November 1146 AD,Epigraphic evidence,Yes,None,,,,,,,,,,
BDV09,Bhadravati,Inscription (stone),This stone inscription is placed in the Mandapa of Bhdranath Temple of Bhadravati,1336 AD,Epigraphic evidence,Yes,None,,,,,,,,,,
BDV10,Bhadravati,Sculpture (single),Image of Surya,8th-9th century AD,Iconography,No,None,,,,,,,,,,
BDV11,Bhadravati ,Sculpture (single),"Image of seated Sarasvati (presently displayed at Central Museum Nagpur (A 65) is holding a  book in upper right hand and lotus in upper left hand, other hands are broken.",13th Century AD,Iconography,No,None,,,,,,,,,,
BDV12,Bhadravathi (Bhandak fort),Sculpture (single),"Four armed Image of Parvati standing in tribhanga, holds, damaru, trisula, pasha and dhanushya in her hands.  She is wearing karandamukuta, big circular earrings, thick necklace, delicate katibandha, mekhala and nupuras. An oval halo, bulky thighs, broad shoulders and broad face.",12th century AD,Iconography,No,None,,,,,,,,,,
BGT03,Balaghat,Inscription (copperplate),"Copper plates of Prithvisen II; 5 plates; Box headed characters; length-6 3/4 inch, width- 4 inch. Only 3 plates have inscription (35 lines); seems to be incomplete.Following research completed by Mirashi, (p. 69), Balaghat has been identified as being the original discovery location of the copper plate inscription now housed in the Patna Museum. According to Mirashi, the plate was discovered during the excavations for the foundations of the new District Superintendent of Police's bungalow in the town, c. 1919. (pp.69-72).

The inscription, of which only one plate is now known, records the donation of the village of Sriparnaka by Pravarasena II to three beneficiaries: Gangarya, Vasurarya and Rudrrya. The charter was issued to replace an earlier grant of the village Manapallika. (Shastri, p.35).

The donation was made to augment the religious merit of Pravarasena II's mother, Prabhavati Gupta, indicating that she is still alive at the time of issue. However, as only one of the plates of this grant is known, the date and place of issue is not known.  (Shastri, p. 36)",Vakataka,Epigraphic evidence,No,None,,,,,,,,,,
BJP01,Bhojapur,Sculpture (single),"Fragmentary stone sculpture, preserved in modern temple structure",Early Medieval,Stylistic,No,,,,,,,,,,,
BLA01,Bela,Sculpture (single),"Sculptures of Nandi, Siva-linga, naga and
some unidentified pieces
",Unknown,NA,No,None,,,,,,,,,,
BLL01,Bellora ,Inscription (copperplate),This inscription is inscribed by Senapati Chitravarma in Sankrit language and box headed script. It records the donation of village Dirghadhara (in Pakkana Rashtra) and village Mahallama-Lata (in Ash--Bhukti on the way to Shailapura) to Suryaswamin by Pravarsena II.,Vakataka (11th year of Pravarasena II reign),Epigraphic evidence,No,None,,,,,,,,,,
BLO02,Bellora,Inscription (copperplate),"This set of four copper plates were discovered in the village of Belora. Mirashi believed that the plates were from two different sets of charters (pp.16-21), whilst Shastri argues that the charter was originally three plates long but one of the plates was considered to be defective and so a new plate was created - however the old, wrong plate was never disposed of and additional plates were added to create a fake charter (Shastri, p. 15). According to Shastri this forgery took place at the time the charter was created and possibly had official 'collusion' in its creation. (Shastri, p.15).

The charter, dating to the 11th year of Pravarasena II reign, records the donation of the village Mahallalata to Suryasvamin.

location according to wikimapia. (http://wikimapia.org/#lat=21.3571762&lon=78.1996&z=15&l=0&m=b&search=belora)",Vakataka,Epigraphic evidence,No,None,,,,,,,,,,
BLS01,Ballarsha,Sculpture (single),Buddha sculpture,Unknown,NA,Unknown,None,,,,,,,,,,
BML02,Brahmanpalli,Sculpture (multiple),"Sculptures of Uma Maheshwar, Brahma Mahishasurmardini, Ganesh, Surya, Navgraha, Vishnu and other sculptures",Unknown,NA,No,None,,,,,,,,,,
BRI06,Bori,Architectural fragments (carved),"Fragmentary carved architectural fragments preserved on stone platform, itself constructed from earlier stone architectural fragments",Early Medieval,Stylistic,No,,,,,,,,,,,
BRT01,Barshi-Takli,Sculpture (single),"Mahavir sculpture(Chaturvishitika); 1 mt in height and 60 cm in width, image of mahavir is in standing position; lion depiction on either side, in between there is chakra (wheel), depiction of 24 thirthankaras around the image of Mahavir",13th century AD,Iconography,No,Presently in Nagpur Museum,,,,,,,,,,
BRT02,Barshi-Takli,Inscription (stone),"Belongs to King Hemadridev, who ruled from Tekkli (Present Barshi Takli). This copper plate insciption provides useful information regarding the geneaology of kings ruling from Tekkli.","7th April, 1177 AD",Epigraphic evidence,No,None,,,,,,,,,,
BTL06,"Bhatala (Bhavani Temple, Ganesha Image)",Sculpture (single),Image of Ganesh,Unknown,NA,No,None,,,,,,,,,,
BTL07,Bhatala (Gate Near Shiv Temple),Architectural fragments (carved),Thorana with Gajalaxmi and is highly ornated,Unknown,NA,No,None,,,,,,,,,,
BTL12,Bhatala (Hanuman Image),Sculpture (single),The image is carved out of sandstone and is intact.,Unknown,NA,No,None,,,,,,,,,,
CCL02,Chicholi,Sculpture (single),"Hanuman, Nandi and
Siva- linga

",Unknown,NA,No,None,,,,,,,,,,
CKD05,Charkurda,Sculpture (single),"Fragmentary stone sculpture, preserved in modern temple structure",Early Medieval,Stylistic,No,,,,,,,,,,,
CKD06,Chandankheda,Seal impression,"Terracotta seal (Size-50 cm, Shape- round, weight- 30.27 gms) with the legend ""Sri Rudasa [-] sa"" in Brahmi Characters.",1st century B.C- 1st century AD,Epigraphic evidence,No,None,,,,,,,,,,
CKD07,Chandankheda,Seal impression,"Terracotta sealing with four line legend read as ""Ramnyo Siri Satakarni Tisa Sawachhare Sawa tobhada Daanamukhasa ka paasasa ka Tukaara"" (The seal of Kapaasa, the chief at the Sarwatobhadra Daana [a brahminical ceremony, dated] in the 30th year of king Satakarni). Below the inscription are three symbols: a sacrificial post (Yupa) in railing, a triangle- headed standard and a modified Ujjain symbol.",Satavahana (1-2nd century AD),Numismatics,No,Found by Surendra Singh Gautam of Chandrapur.,,,,,,,,,,
CKK01,Chikani Kasba,Inscription (unknown type),Unknown,11th-12th century AD,Not specified,Unknown,None,,,,,,,,,,
CMK02,Chamak,Inscription (copperplate),"This copper-plate charter of Pravarasena II was discovered in 1868 during the ploughing of a field at the village of Chamak.

Chamak, in ancient times known as Charmanka, is located four miles south west of Illichpur; (Ellichpur or Illychpur), the old name for Achalpur.

The inscription, incised on seven plates and with an attached seal, records the donation of the village of Charmanka by Pravarasena II at the request of Kondaraja. The donation was given to 1,000 Brahmanas of various sects and schools, and the charter lists 49 of these donees by name.  The charter was issued in the 18th year of Pravarasena II reign. (Shastri, p. 16-18)

The charter is now in the collection of the British Library registered under the Oriental Manuscript shelfmark: Ind. Ch. no. 16.
wikipedia page (http://en.wikipedia.org/wiki/Chamak_copper_plates)",Vakataka,Epigraphic evidence,Yes,None,,,,,,,,,,
CPL02,Chaprala,Sculpture (single),Unknown,Unknown,NA,No,None,,,,,,,,,,
CPL03,Chaprala,Architectural fragments (carved),Unknown,Unknown,NA,No,None,,,,,,,,,,
DGG01,Dongargaon,Inscription (stone),This stone inscription mentions the donation of Dongargaon to a  Brahmin named Shrinivas by Parmaera king Jagdev. Also it talks about the construction of shiv temple by the same brahmin. The inscription is inscribed by Vishvaswami. It also records the geneology of Parmaras.,1112 AD,Epigraphic evidence,No,None,,,,,,,,,,
DMP01,Dharmapuri,Sculpture (single),Jain Chatuvrinshathika. The image is sitting in padmasan on Sihasan and around it there are small images of 23 thirthankaras.,Unknown,NA,No,Found in the land of Mr. Tularam Chopramji Khotle near the lake.,,,,,,,,,,
DPR01,Dauripur,Sculpture (multiple),"Loose sculptures of Hanuman, naga, Nandi and some unidentified pieces",Unknown,NA,No,None,,,,,,,,,,
DTK01,Devtek,Inscription (stone),Two inscription on same rock; one of Ashoka (Prakrit Language) and other of Vakataka king Rudrasen I; 9 ft in length and breadth 3 1/2 on one side and 2 ft 10 inch  ,Mauryan and Vakataka,Epigraphic evidence,No,Shifted in Nagpur Museum by S M Subbarao in 1937 ,,,,,,,,,,
DTP01,Dathpur,Sculpture (single),Buddha sculpture of Mathura style. Head is lost and carved in red sandstone,Gupta- Vakataka,Iconography,No,Affinities with Gupta Style,,,,,,,,,,
DTR02,Dhotra,Sculpture (multiple) and architectural remains,"Sculptures of Chamunda, Ganapati, Bhairava, Uma-Mahesvara and Parvati, fragments of door-frames with male and female figures and a monolithic jar",Yadava ,Iconography,No,None,,,,,,,,,,
DVL01,Devli,Inscription (copperplate),"This copper plate inscription belongs to  Rashtrakutta king, Krishna III and is inscribed by Yograshtay (language- Sanskrit and script-devnagri ). It records the donation of village Talpurunshak (in Nagpur-Nandivardhan) to a brahmin by Rashtrakutta king Krishna III in the name of his brother Jagthung from his capital Manyakhet. It mentions the full geneology of Rashtrakuttas. ",940-41 AD,Epigraphic evidence,No,None,,,,,,,,,,
GGD02,Ghugusgad,Sculpture (multiple),"Fragmentary sculptural representations of Vishnu, Lajjagauri, Narasimha, Mahissmardini",Vakataka,Stylistic,No,"Sculptures found displaced from original context, but associated with settlement, dam, possible temple remains, and find spot of coins
",,,,,,,,,,
GPG02,Gorakhpur Ghat,Seal stamp,"Made up of irregular rectangular shaped soapstone of 3.4 cms length,  1.6 cms in breadth and 0.8 cm in thickness with legend in box headed brahmi as Drihtam.",Vakataka,Epigraphic evidence,No,A. M Shastri and C S Gupta are of opinion that the seal belongs to Pravarsena II of Nandivardhan branch.,,,,,,,,,,
GRD01,Gaurkheda,Inscription (copperplate),"Originally 3 plates; found 1 plate of 18 cm in height, 8.9 cm in width and 161 gm in weight; box headed script; sanskrut language.",Rashtrakutta,Epigraphic evidence,No,Two plates are missing as a result there is confusion in prescribing date ,,,,,,,,,,
HLP01,Hamlapuri,Sculptures (multiple) and Inscription (stone),"3 Buddha sculptures in bronze; two are with a pedestal one of which is inscribed on all four sides. The insciption is sanskrit language and is in Nail Headed Brahmi characters. Inscription is read as: ""(Sidham) (I) Dey Dhammiryam Shkhyabhi; Sho Bhtrad (Bhadant) Sangsenasya; Yadtra Punya (ta) Da (Bha) Vatu; Maa (Tapitro) (:) (III)"" ",5th Century AD,Epigraphic evidence,No,Shifted in Nagpur Museum  ,,,,,,,,,,
HLP02,Hamalapuri,Sculpture (multiple) and architectural remains,"Displaced sculputral remains - two Lajja Gauri images, preserved in construction of modern shrine platform. Stone images of Ganapati, Lajja-Gauri, Mahishasurmardhini, Matrudevta, Vishnu head and other fragmentary stone sculptures",Vakataka,Iconography,No,It is not clear whether these stone images are reported from Nandapuri or Hamlapuri in IAR 1981-82:50,,,,,,,,,,
HLP04,Hamlapuri,Sculpture (single),"Large 5th century Ganesh sculpture and two Lingas  now housed in a modern temple, next to the paddy fields at the location of the Hamlapuri test excavations. ",Vakataka,Iconography,No,Unclear whether this area forms part of the original habitation mound due to destruction and modern development. ,,,,,,,,,,
HLP05,Hamlapuri,Sculpture (single),"Sculptures include: mother Goddess figurine with round base, lower part of seated goddess with dagger in right hand, fragment of linga, fragment of decorative plaque with floral and creeper designs, and stone linga",Medieval,NA,No,Found during the exploration of Hamlapuri Village. Mistakenly attributed to the Vakataka period by Bhaisare,,,,,,,,,,
HLP07,Hamlapuri,Sculpture (single),"Fragmentary stone sculpture, unidentified and undated. Currently preserved in a private house, and reportedly found near the Ganesh shrine in the modern village",Unknown,NA,No,,,,,,,,,,,
HSB01,Hisse-Borla ,Inscription (stone),"Stone inscription of the Vakataka king Devasena; records the construction of the lake Sudarsana by Svamilladeva, ajnakara of Devasena. ",Samvat 380 ,Epigraphic evidence,No,Provides fresh evidence for fixing Vakataka chronology on a sound basis.  ,,,,,,,,,,
HTD01,Hatodi,Sculpture (single),"The image is made up of red stone in round and is one foot in height. The God Sürya is standing, facing forward, holds a small bunch of lotus flowers with short stalks in both hands, raised to the level of his shoulders. The upper part of his body is covered with full-sleeve clothes and a scarf is draped over the arms. The figure is very unique in the sense of carving. Images of such type are never seen not only in this area but all over India. The image is probably a product of the Mathura School.",Late Gupta period (around 7th century A.D),Iconography,No,"During the repairs of the Chinchala-Hatodi road, a figure was dug out by Shri Ganbaji Chavan in 1979. This image was first noticed by Shri Chandrabhan Narnaware, in his treatise entitled ""Bodhisattva"".",,,,,,,,,,
HVR03,Hivra,Sculpture (single),"Fragmentary stone sculpture, badly eroded. Preserved in modern shrine.",Early Medieval,Stylistic,No,,,,,,,,,,,
IOC01,India Office Copper plate inscription of Devasena,Inscription (copperplate),"This single plate of a charter issued by Devasena is part of the India Office collection but its origins are not known. It is not known where the plate was discovered or how it came to be part of the India Office Collections or if the rest of the charter still exists.<BR>According to the single plate of the charter, it was issued at Vatsagulma and starts immediately by citing Devasena's order of the grant. The inscription records the donation of a village (unidentified) to two Br?hma?as Dharmasv?min and Bhavasv?min of the ????ilya gotra. According to Shastri the exact location of the donated land is not known but may possibly be in the Akol? district. (Shastri, pp. 40-41)",Vakataka,Epigraphic evidence,No,None,,,,,,,,,,
JBD04,Jafrabad,Sculpture (single),Unknown,Unknown,NA,No,None,,,,,,,,,,
JKH01,Jakh,Sculpture (single),Unknown,Unknown,NA,No,None,,,,,,,,,,
JMB01,Jamb,Inscription (copperplate),"The Jamb copper-plates were discovered in 1940 in the possession of an individual named Baburaro Madhavrao Athole in Jamb, about 7 miles north by east of Hinganghat. (Mirashi, p. 10)

The charter records the donation by Pravarasena II to a Brahmacharin called Kalakutta. The charter donates the village of Kothuraka to Kalakutta.  The charter was issued in the 2nd year of Pravarasena II reign. (Shastri, p. 11-13)

Mirashi identifies the donated village of Kothuraka with the site on which Mangaon now occupies, 2.5 miles north by west, on the right bank of the Wunna (p. 11) although Shastri states that the village cannot be identified (p. 13).",Vakataka,NA,No,None,,,,,,,,,,
JPL02,Japala ,Sculpture (multiple),"Fragmentary stone sculptures, preserved in modern temple structure",Early Medieval,Stylistic,No,,,,,,,,,,,
KBL01,Kumbhali,Sculpture (multiple),Three jainThirthankar in standing in Kayotsarg Mudra; one in Padmasana and two small images. This sculptures are kept near modern durga temple.,Unknown,NA,No,None,,,,,,,,,,
KKD04,Karachkheda,Sculpture (multiple),"Loose sculptures of Hanuman, Nandi, linga
and some unidentified pieces
",Unknown,NA,No,None,,,,,,,,,,
KLP03,Kholapur,Clay bulla,Roman clay Bullae with embossed head of a male deity on one side and embossed figure of a king seated on throne with his sword behind on the other side.,Early Historic,Not specified,No,None,,,,,,,,,,
KLZ01,Kelzar,Sculpture (single),"Vishnu sculpture; height -3 1/4 ft; four handed, standing position; Karand Mukut; narration of dashavtar on the border of the sculpture. Ornate; Ayudh purush standing on either sde ",11th-12th Century AD,Iconography,No,None,,,,,,,,,,
KMR03,Kolithmara,Sculpture (single),Buddha sculpture,Unknown,Unknown,No,None,,,,,,,,,,
KTL01,Kothali,Sculpture (single),Monolithic elephant,Yadava ,Iconography,No,None,,,,,,,,,,
KWD07,Kawadak,Architectural fragments (dressed stone),"Two sandstone architectural fragments, preserved at a modern house. Reported to have been unearthed in adjacent fields. Possibly associated with associated habitation site indicated by surface scatter of pottery and bricks",Unknown,NA,No,,,,,,,,,,,
KWD09,Chabutra,Architectural fragments (carved),"Fragmentary carved architectural fragments preserved on stone platform, itself constructed from earlier stone architectural fragments",Early Medieval,Stylistic,No,,,,,,,,,,,
LHR01,Lohara,Sculpture (multiple),"images of Sarasvati, a royal personage, Siva and Parvati, ascetic, Nandi and a viragal (hero stone). ",Yadava ,NA,No,None,,,,,,,,,,
LHR02,Lohara,Inscription (copperplate),Following copper plate (Sanskrit Language; Devnagri script in north indian style) records the donation of village Lohara (in Murumb) to Rishiyappbhatt by Rashtrakutta king Govind III from Mayurkhandi.,"9th November, 812 AD",Epigraphic evidence,No,None,,,,,,,,,,
LWS01,Lawesar,Sculpture (multiple),"Loose sculptures of Nandi, Siva-linga and some
unidentified pieces
",Unknown,NA,No,None,,,,,,,,,,
MDA01,Mendha,Sculpture (single),"10 ft 4 inch in ht with Jattamukut, Sukhasan Position; four armed with Parshu, Ankush, Modak, and fourth hand in Varad (Blessing)",12th century AD,Iconography,No,"According to Chitale (Chitale 1988:170), the sculpture is not of Ganesh but Brushandi Rishi (Brushindi saint) ; who according to mythology was changed to Ganesh face after the penance. ",,,,,,,,,,
MGH02,Mangulhira,Sculpture (multiple),Sculptures of Uma Maheshwar and Ganesh,Unknown,NA,No,None,,,,,,,,,,
MGN01,Manegaon,Sculpture (multiple),"Loose sculptures of Hanuman, Nandi and some unidentified pieces",Unknown,NA,No,None,,,,,,,,,,
MHR01,Malhara,Inscription (copperplate),"4 plates are available (originally 5 plates); 17.6 cm in length and 9.7 cm in width, 900 gm weight; Box headed brahmi script; Sanskrit language;",Post Satavahana and Pre Vakataka,Epigraphic evidence,No,"Belonging to unknown king ""Aditya""",,,,,,,,,,
MKD16,Markanda,Sculpture (single),"Old square monolith, carved with male figure with four arms, carrying a battle axe and attended by two female figures. A snake encircles his waist, which may serve to identify him with Siva, but no other traces of this God are apparent. Above this figure is an inscription, of which only three letters survive (pra-ya-Sri). These can be dated to the fifth or sixth century AD",5th-6th century AD,Epigraphic evidence,Yes,None,,,,,,,,,,
MKD17,Markanda,Inscription (stone),"Engraved on a rock-boulder in the compound of the Markandesvara temple, this two-line Sanskrit inscription, in northern characters of about the seventh century A.D., reads : (1) anuragah priyapurnna[h] and (2) Bappanaga-sri[h].",7th century AD,Epigraphic evidence,Yes,None,,,,,,,,,,
MKD18,Markanda,Inscription (pillar),"Square monolith with molded capital, inscribed on three faces. Its characters are somehwat older than those of a nearby carved monolith (MKD16 in this record), and can be dated to the sixth or seventh century AD. The two lines of the left face of the pillar apparently forms a distinct record, of which the latter hald of the second line is in much smaller characters. The main record begins at the top of the middle face with the words 'Swasti Sri'.  Further details can be found in Cunningham's report",6th-7th century AD,Epigraphic evidence,Yes,None,,,,,,,,,,
MLL01,Mohalla,Inscription (copperplate),"This plate, which is unfinished, was found in the village of Mohalla in the Durg district of Chhattisgarh. The details of the charter are not recorded in the inscription as it is not finished. According to Shastri (p. 6) the plate is possibly dated to the reign of Prithivisena I.

Mirashi refers to this plate as the Durg plate. (CII, vol V, pp. 76-78) The plate is now part of the collection of the Central Museum, Nagpur.",Vakataka,Epigraphic evidence,No,None,,,,,,,,,,
MMP01,Mahimapur,Architectural fragments (carved),Carved pillar with floral motiff made up of sandstone.,Early Medieval,Architectural Element,No,None,,,,,,,,,,
MND05,Mandhal ,Sculpture (multiple),3 shaiva images,Unknown,NA,No,None,,,,,,,,,,
MND09,Mandhal (Maruti Temple with a Ganesha figure),Sculpture (single),"Ganesha image, carved on sandstone and recently found in this tank, is currently lying next to the temple wall. ",Early Medieval,Iconography,No,None,,,,,,,,,,
MND10,Hanuman Mandir,Sculpture (multiple),There is a small hanuman temple located in the modern village of Mandhal. This temple which has a brick boundtry wall also has a stone platform. ,Unknown,Unknown,Unknown,NA,Yes,"Lots of images such as Nandi, shiv Linga and other unidentifiable images (most of the images are worn and some are broken as well as white washed).",None,NA,None,Temples,Unknown,"Single temple, Shaivite?",None,None
MND12,Mandhal,Sculpture (single),Naked Mother Goddess with spread out thighs and having attendants.,Not specified,NA,No,Possiblly representing fertility cult. ,,,,,,,,,,
MND13,Mandhal,Inscription (copperplate),"This set of five copper plates were discovered during archaeological excavations undertaken at Mandhal by the Department of Ancient Indian History, Culture and Archaeology, Nagpur University. These plates were discovered with two other Vakataka copper plate charters. Each charter was complete with ring and seal attached.

The copper plate charter, inscribed on four plates, records the donation of the village Govasahika to four Brahmanas, two, Mahesvarasvamin and Brahmasvamin, are also mentioned in the Mandhal copper plate charter of Prithivisena II, year 2.  Shastri argues that the three plates found at this site record donations by two Vakataka kings to two generations of the same family (Shastri 1989 b: 99-103).",10th regnal year of Prithvisen II,Epigraphic evidence,Yes,None,,,,,,,,,,
MND14,Mandhal,Inscription (copperplate),"The charter consists of four plates, which were found in an earthen vessel during excavations, along with two other Vakataka period copper plate inscriptions. The charter was issued in the second year of Prithivisena II reign and was found complete with ring and seal - providing the earliest known complete example of a copper plate charter from the reign of Prithivisena II. The charter records the donation of the village Kurubhajjaka by its chief to three brothers, Mahesvarasvamin, Agnisvamin and Brahmasvamin, sons of Matrisvamin. Two of these brothers are also the benefactors of the Mandhal copper plate of Prithivisena II and Matrisvamin was the donee of the Mandhal copper plate of Pravarasena II. (Shastri, pp. 97-99)",2nd regnal year of Prithvisen II,Epigraphic evidence,Yes,None,,,,,,,,,,
MND15,Mandhal,Inscription (copperplate),"This set of five copper plates were discovered during archaeological excavations undertaken at Mandhal by the Department of Ancient Indian History, Culture and Archaeology, Nagpur University. These plates were discovered with two other later Vakataka copper plate charters. Each charter was complete with ring and seal attached.

This charter was issued from Pravarapura and it records the donation of the village Mayasagrama in favour of Upadhyaya Matrisvamin by Pravarasena II. The charter dates to the 16th and 17th year of Pravarasena II reign, with the first date recording the year when the donation was made and the second year recording when the charter was written and issued.

According to the inscription one third of the religious merit of the donation is to go to Ajnakabhattarika, mother of Narendraraja, although it is not known who these two people are.

According to Shastri, the identification of Mayasagrama is not possible at present, but it is also not possible to rule out Mandhal  as the possible location of the ancient village. (Shastri, pp.88-90)",16th and 17th regnal year of Prithvisen II,Epigraphic evidence,Yes,None,,,,,,,,,,
MND16,Mandhal,Inscription (copperplate),"This set of four copper plates was discovered during the ploughing of a field in the village of Mandhal in 1982. The plates, which date to the 5th year of Rudrasena II reign, record the donation of four villages, Selludraha, Achchhabhallika, Suragramaka and Aragramaka, which were used as a Brahmana settlement, occupied by various Brahmana's from different sects.

The charter was written by Senapati Vibhishana for Rudrasena II, and is stated to have been issued by the King himself following a command from a form of Visnu.

Records so far do not specify in which field the copper plates were discovered. (Shastri, pp. 85-88)

location of Mandhal according to Geolysis. (http://www.geolysis.com/plgmap.php?p=536011443&k=621803054)",5th regnal year of Rudrasena II,Epigraphic evidence,Yes,None,,,,,,,,,,
MND17,Mandhal,Sculpture (single),"""Two armed image, right arm broken, left hand holds water vessel, the deity is without ornaments, elongated earlobes are pierced, the head on the reverse has a third eye, upavita is missing, the dhoti is rolled into a ribbed belt. There are three tiers of head: the four heads of the first tier conform the the quadruple form of Shiva.""",Last quarter of 4th Century A.D.,Iconography,No,It is possible that the image was the main idol of the excavated temple MLD-II which is oriented North South.,,,,,,,,,,
MND18,Mandhal,Sculpture (single),"""This is a four-armed image with four heads. The legs are broken off the knees, the top right arm has disappeared almost completely, the top left arm is preserved until the elbow, the left hand holds a shaft, , the waist is wrapped in a dhoti, a slender belt skirts the hips and passes around the back, an erect penis is distinguishable underneath the dhoti.""",4th century AD,Iconography,No,The conception underlying this image is different from that of the Mahesvara image. The image shows a striding stance of danda and sulas howing it has the protective funcution and it may be compared with the guardian god Danda found at the bottom of pillar at Mathura.,,,,,,,,,,
MND19,Mandhal,Sculpture (single),"""It is Gana image with four arms, the left rear arm is intact until the elbow, the right arm is completely broken off. Tresses of matted hairs on the top of the head, parted in middle, turned into long snail-shell curls which cascade down on to the back; the crown is covered by flower rosette. The elongated pierced ear lobes are decorated by earrings which rest on the shoulders. The Image wears a collar around the neck that is marked by three lines , jwelled bracelets. The dhoti is wrapped tightly around the thighs, indicated by two parallel double lines, and twisted around the waist into a katibandhana, showing an urdhvalinga beneath.""",4th century AD,Iconography,No,The image may have a guardian funcution in the Mahesvara Temple MLD-II,,,,,,,,,,
MNP01,Manapur,Sculpture (single),"Fragmentary stone sculpture, preserved in modern temple structure",Early Medieval,Stylistic,No,,,,,,,,,,,
MNS02,Mansar,Inscription (stone),"Short inscription on a
rectangular stone chunk on the northern slopes of the Hidimbachi tekadi.The stone chunk looking like a slab is actually
part of a big boulder peeled off as a result of weathering. The slab is about 2 m x 1.5 m with a maximum
thickness of about 20 cm. The inscription in typical Sankha lipi, is engraved on the right side bottom
of the slab and runs obliquely with three or four chain-like characters. One of the characters (top one)
is circular and engraved in bold type.",3th-4th century AD,Epigraphic evidence,No,None,,,,,,,,,,
MNS03,Mansar,Sculpture (single),Unknown,Satavahana,Iconography,No,None,,,,,,,,,,
MNS05,Mansar copper plate,Inscription (copperplate),"Shastri refers to this plate as the Mansar plate (p. 36-37) whilst Mirashi refers to the plate as the Ramtek plate (p.73-75).

The plate, the fourth of a five plate charter, was discovered whilst digging for manganese in the area. It is not know where the donated areas are or where the plate was issued.  Mirashi believes that the plate dates to the time of Pravarasena II due to similarities with known charters of this time, but Shastri argues that these similarieties can also be seen in other charters of different rulers and so cannot be considered to be certain. (Shastri, p.36-37)",Vakataka,Epigraphic evidence,No,None,,,,,,,,,,
MNS06,Mansar,Sculpture (single),12 Headed Shiva Image called Davadasa Sirsaka Siva. The Eight heads are shown on the top and remaining four are on the arms and thighs.,4th Century AD.,Iconography,No,Sarma has traced the origin of the maultifaced images of siva citing the earliest five faced sivaliga from Bhita near Kausambi.,,,,,,,,,,
MNS07,Mansar,Sculpture (single),Naga burial shaft,Vakataka,Iconography,yes,"""Near the bottom, making a lower chamber 15” [38 cm] deep, was a false floor of brick. In the upper part of the shaft was filled
earth from which was recovered a small snake image of greenish soapstone and some pottery. Beneath the false floor was a large spherical pot, 1 ft [30 cm] in diameter containing ashes; with it also were several small pots.’ (Wellsted 1934, 164)",,,,,,,,,,
MNS08,Mansar,Sculpture (single),The image is 84 cm high and carved from red sandstone. Many scholars have different opinion regarding its identification.,Vakataka,Iconography,No,none,,,,,,,,,,
MNS09,Mansar,Sculpture (single),"The sculpture of Mansar Man made of fine clay. A ""Construction Sacrifice"" was found below this temple complex.",Vakataka,Associated Archaeology,Yes,None,,,,,,,,,,
MNS22,Mansar-Moil,Sculpture (single),Isolated fragmentary stone sculpture (linga). Displaced from original context. Find spot unknown,Unknown,NA,No,,,,,,,,,,,
MRG02,Meeregaon,Inscription (copperplate),"The set of five copper plates were found when a field was being dug near the village of Miregaon. The inscription records the donation of the village Jalapura-vataka to support a group of Brahmanas by Prabhavati Gupta in the 20th year of her son, Pravarasena II reign.

The contents of the plates are the same as the ?iddhapur plates except for the details of donations. The plate was drafted by a minister named Chandra. (Shastri, pp. 91-93)",Vakataka,Epigraphic evidence,No,None,,,,,,,,,,
MRG03,Meeregaon (Sculpture),Sculpture (single),Ekmuki Shivlinga with brahmasutra,Vakataka?,Iconography,No,This sculpture was found while digging the foundations for the construction of  a new house by Mr. Ravindra Shavan Sathavanein 2008,,,,,,,,,,
MSD01,Masod,Inscription (copperplate),"This charter, issued in the 19th year of Pravarasena II reign, records the donation of a piece of land in the north west of Matsakadraha village in honour of 19 Br?hma?as who are named in the inscription.<BR>The set of five plates were discovered in a field at M?sod whilst it was being ploughed in the 1950's (?).<BR>The location of the village is not certain although Geolysis records the village as being located here (http://www.geolysis.com/plgmap.php?p=536010082&k=233344664) - assuming that the village marker overlay had slipped upwards (typically the case).<BR>Another website (http://www.onefivenine.com/india/villages/Nagpur/Katol/Masod), also lists this as M?sod village and fits with the description of the village being 'under the Mauja Kamathi and Kondhali Police stations in the Katol taluka of the Nagpur District' as cited by Shastri (p. 90).<BR>The plates are now part of the collection of the Central Museum, Nagpur.", issued in the 19th year of Pravarasena II reign,Epigraphic evidence,No,This copper plate was discovered during ploughing a field near the Ramgarh Cave.,,,,,,,,,,
MSL02,Masal,Sculpture (multiple),3 sculptures of Jain Thirthankar.,Unknown,NA,No,Found while digging the land.,,,,,,,,,,
MZR02,Mahurzari,Seal stamp,Made up of Carnelian with Sanskrit legend Apramada (signifies careful or watchfulness). The inscribed face which is nicely polished measures 17 x 10 mm. it has tapering sides and weighs 24 grains. The characters are box headed. The letter m is angular as in the legends of Gupta coins and Deotek stone inscription of Rudrasena I.,4th century AD,Epigraphic evidence,No,"The legend is probably a Buddhist motto. It is noteworthy that at the Buddhist site of Kushinagara (modern Kasia) in the Gorakhpur district, several clay seals with the legend ""apramada"", dating between AD 700 and AD 1000 were discovered.",,,,,,,,,,
MZR03,Mahurzari,Inscription (copperplate),"This set of 5 copper plates dating to the reign of Prithivisena II, were discovered in June 1971 in a field during ploughing. The field was owned by Shri Borkar who at that time, lived in the village. The village, according to V. B. Kolte (p. 183) is an ancient site with many archaeological remains dating to the Vakataka period. There are also stone circles which date as far back as 3000 years suggesting continued habitation throughout this period.

This is one of the only known copper plate charters of Prithivisena II which is complete. The charter was issued in the kings 17th year of rule and records the grant of the village Jamalakhetaka to the Brahmanas Vishnudatta and Bhavadatta, residents of  Prithivupura , where the charter was issued from. (Shastri, p. 103)

This copper plate charter is now house in the Central Museum, Nagpur.

(Kolte, V. B., 'Mahurzari Plates of Prithivisena II', Annals of the Bhandarkar Oriental Research Institute, vol. LIII, 1972, pp. 183 - 198)

Location of the village according to Wikimapia. (http://wikimapia.org/#lat=21.2257221&lon=79.0068699&z=17&l=0&m=b&search=mahurzari)",Vakataka,Epigraphic evidence,No,None,,,,,,,,,,
NGD03,Nagardhan,Sculpture (single),"""It is a two armed seated figure, whose right forearm is brioken, and holds a book in his left hand. The lower garment partly covers his thighs. The waist is slender, the figure wears a necklace, the hairstyle is similar to that of images found at Mandhal.. The figure is seated in a paryanka pose, the legs are not crossed and one foot  is placed on the other thigh."" ",5th century AD,Iconography,No,None,,,,,,,,,,
NGD04,Nagardhan,Sculpture (single),"""The head has been identified as that of Vishnu on account Kiritamukuta."" ",First half of 5th Century AD.,Iconography,No,None,,,,,,,,,,
NGD06,Nagardhan,Sculpture (single),"""Broken image of Mahisasurmardini. The image shows Goddess with the lowetr garment stretches around her right lifted leg, flares out berhind  the Kneeling buffalo till behind her left ankle and is wrapped around her hips in folds that cross each other in the front. Nupuras embellish her ankles. The two long strings of pearls rests on her belly. On the head of the buffalo there is a amalaka like decoration.""",5th century AD,Iconography,No,The image may have adorned the temple in Nagardhan to which also the Vishnu and Ganesha belong.,,,,,,,,,,
NGD07,Nagardhan,Sculpture (single),"""The image has a doubled petelled lotus in place of her head, flanked by two icons, which are very much damaged. The goddess wears graiveyaka, channavira, mekhala, and nupuras.On both sides of her shins, what could be interpretted as two human faces adorned by necklaces, are visible.""",5th century AD,Iconography,No,None,,,,,,,,,,
NGD08,Nagardhan,Sculpture (single),"""The two delightful sculptures are part of a construction."" ",5th century AD,Iconography,No,None,,,,,,,,,,
NGD09,Nagardhan,Sculpture (single),"""It seems that it is miniature copy of Narsimha image found at Ramagiri.""",5th century AD,Iconography,No,None,,,,,,,,,,
NGD10,Nagardhan,Sculpture (single),"""It’s a tablet of yellow sandstone on which a pair of footprints are engraved in bas relief.""",5th century AD,Iconography,No,None,,,,,,,,,,
NGD11,Nagardhan,Sculpture (single),"Displaced sculptural fragments, including: Siv linga and remains of female figure in red sandstone",Vakataka,Iconography,No,None,,,,,,,,,,
NGD13,Nagardhan,Sculpture (single),Stone image of miniature Gana and Narsimha,Vakataka,Iconography,No,Broken ,,,,,,,,,,
NGD21,Nagardhan ,Bricks,Ancient bricks used in the construction of modern house,Early Historic,Typology,No,None,,,,,,,,,,
NGD24,Nagardhan,Sculpture (single),"Isolated fragmentary stone sculpture (linga), with square shaft. Currently preserved in modern village (set into ground surface). Displaced from original context. Find spot unknown",Vakataka,Stylistic,No,,,,,,,,,,,
NGD34,Nagardhan ,Sculpture (single),Large isolated fragmentary stone sculpture (linga). Currently preserved in modern village (set into ground surface). Displaced from original context. Find spot unknown,Vakataka,Stylistic,No,,,,,,,,,,,
NGD39,Nagardhan,Inscription (copperplate),This copper plate (Sanskrit language and in box headed script) is issued by the brother of king Swamiraj (Possibly initial Rashtrakutta king) named Nannraj from Nandivardhan and is inscribed by Durgaditya. It records two donations: 1) 12 villages in Chinchpattika. 2) Ankollika village near Chatukvat.,573 AD,Epigraphic evidence,No,None,,,,,,,,,,
NGM02,Nagpur Museum,Inscription (copperplate),Inscription is in Sanskrit language and records the donation of village Satallama (in Kashloda) by king Mahabhavgupta to Bhatt Santhkar (son of Dhrutikar) of Audhradesh (Present Odisha).,8th regnal year of Mahabhav Gupta,Epigraphic evidence,No,None,,,,,,,,,,
NGM03,Nagpur Museum,Inscription (stone),Inscription is in Sanskrit language and in Nagri Script of 12th century. It records the donation of 2 villages from Vyapurmandhal and Village Mokhalpatak by Lakshmandev and Narvarmdev (of Parmara family).,1104-1105 AD,Epigraphic evidence,No,None,,,,,,,,,,
NGP02,Nagpur,Seal stamp,"1 seal made up of sandstone with the Prakrit legend ""Brahmutta"" (in sanskrit Brahmagupta). The inscribed face  measures 20 x 15mm",2nd-3rd century AD,Epigraphic evidence,No,None,,,,,,,,,,
NGV05,Nandgav,Inscription (stone),This inscription was inscribed during the reign of (Yadava) king kanhirdev and mentions the account of donation of Gadyan (currency) by Locals.,1254-55 AD,Epigraphic evidence,No,None,,,,,,,,,,
NPR01,Nandapuri,Sculpture (multiple),Fragmentary stone sculptures,Early Medieval,Iconography,No,It is not clear which of the sculptures reported in the original IAR volume (see refs) were found at Nandapuri and which were found at Hamlapuri.  More recent surveys of the village did not reveal any Vakataka sculptures in the village. The oldest displaced remains in the village in 2010 dated to the early medieval period.,,,,,,,,,,
NPR03,Nandpur,Seal stamp,"2 seal stamp made up of carnelian each measuring 11 x 8 mm, inscribed in box headed characters. legend on one was read as Rudradeva and on the other as Bhavadeva.",Vakataka ,Epigraphic evidence,No,According to Mirashi these seal stamp probably belongs to private individuals,,,,,,,,,,
NPR04,Nandpuri,Sculpture (single),"Fragmentary stone sculpture, preserved in modern temple structure",Early Medieval,Stylistic,No,,,,,,,,,,,
NRI01,Neri,Sculpture (single),Sculpture of Parvathi,1 st Century A.D,NA,No,None,,,,,,,,,,
PBP02,Prabhat Pattan (Shiv),Sculpture (multiple),Sculptures of a horse and a lady. At this pace a part of some Medieval sculpture that contains a horse and a female. It has been installed on a small mound. Local legend says that this is the image of a women and a horse that turned into stone. This area does not have any sort of habitation deposit.,Medieval,Iconography,No,Prabhat Pattan also known as Pattan is a large village which is divided into two by a water tank of ancient period (the area to the north which is known for its sati temple of Maratha period and the one which is located in the SE have a Medieval Mosque). The whole area is undulating and is covered by soil having murrum and patches of fertile black cotton soil. A few seasonal Rivulets that ultimately joins river Wardha which flows a few km east of Pattan. The area in and around Pattan is traversed by these seasonal streams. ,,,,,,,,,,
PBP05,Prabhat Pattan,Inscription (copperplate),"The five copper plates which make up this charter were found in a field during ploughing in the village of Pattan in 1935.

The charter was issued by Pravarasena II in the 27th year of his reign and is, according to Shastri (p.31), a unique charter in the Vakataka examples because it provides for a free feeding house, attached to a temple as opposed to an individual donation of a land grant. The donation was made at the request of Narayanaraja.",Vakataka,Epigraphic evidence,No,None,,,,,,,,,,
PGR01,Pagora,Sculpture (single),Unknown,Unknown,NA,No,None,,,,,,,,,,
PHR03,Pahur ,Sculpture (single),Vishnu Image,13th-14th century AD,Iconography,No,None,,,,,,,,,,
PJR01,Pinjar,Inscription (stone),"Inscription is unreadible however last words are read as ""Kirtiprashasti"" in Sanskrit language and the script belonging to 12th-13th century AD.",12th-13th Century AD,Epigraphic evidence,No,None,,,,,,,,,,
PKD02,Pachkhedi ,Sculpture (single),Sati memorial above the mound,Medieval,Iconography,No,None,,,,,,,,,,
PLR01,Pullar,Inscription (pillar),"Brahmi inscription engraved on stone pillar containing 4 words i.e ""vandalasa""",1st century BC,Epigraphic evidence,No,None,,,,,,,,,,
PLR04,Pullar,Inscription (stone),"Inscription is in Prakrit language and Brahmi characters and read as ""Vasvadlak Putasa, a(cha or va) las Mathikamam""",2nd century AD,Epigraphic evidence,No,None,,,,,,,,,,
PLR05,Pullar,Inscription (stone),"Inscription is in Prakrit language and Brahmi characters and only word readible is ""Okiyas""",2nd century AD,Epigraphic evidence,No,None,,,,,,,,,,
PNE01,Pune,Inscription (copperplate),This copper plate inscription (Language- Sanskrit; Script- Nail headed character) was issued by Prabhavati Gupta. It records the donation of village Dagun to Acharya Chanalswami by prabhavati Gupta. This charter was issued from Nandivardhan.,Vakataka,Epigraphic evidence,No,None,,,,,,,,,,
PNI01,Pauni,Inscription (stone),In Brahmi characters and in Prakrit language of 2nd century AD. Engraved on a stone slab and records the erection of a memorial-stone (chhaya-khambha) for Mahakhattava-kumara Rupiamma.,2nd century A.D (Western Kshatrapa),Epigraphic evidence,No,"1) This is the earliest instance of the use of the word ""Kambho"". 2) This pillar was erected on the bank of the river Wainganga 3) Now deposited in the Central Museum, Nagpur.",,,,,,,,,,
PNI02,Pauni,Inscription (pillar),"Record the gifts made (i) by one Naga, a scholar in the five Nikayas,
(ii) by the monk Utaraka, and (iii) and (iv) by an Upasika named Visamita; these
evidently refer to the gift of the pillars on which they are engraved.",2nd century BC,Epigraphic evidence,No,None,,,,,,,,,,
PNI12,Pauni,Inscription (stone),This insciption is in Prakrit language and Brahmi characters and mentions the donation given by a woman named Vismita.,3rd-2nd Century B.C.,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI13,Pauni,Inscription (stone),This insciprtion is in Prakrit language and Brahmi characters and mentions the donation given by a woman named Vismita for the happines of all.,3rd-2nd Century B.C.,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI14,Pauni,Inscription (stone),This inscription mentions the donation by Pusgut (Pushpagupta). The inscription is in Prakrit language and Brahmi characters.,1st century BC,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI15,Pauni,Inscription (stone),"This inscription is in Brahmi characters and Prakrit Language. The inscription is in bad condition to read. Only visible words are ""Samikay Him"".",1st century BC,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI16,Pauni,Inscription (stone),This inscription mentions donation by the monk Utarak. The inscription is in Prakrit language and in Brahmi characters.,Shunga,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI17,Pauni,Inscription (stone),Inscription mentions donation by Budhadev and the inscription is in Prakrit Language and Brahmi characters.,Unknown,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI18,Pauni,Inscription (stone),Inscription mentions donation by monk Utargut (Utargupta) and the inscription is in Prakrit Language and Brahmi characters.,Unknown,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI19,Pauni,Inscription (stone),"Inscription is Prakrit language and brahmi characters and is donated by Naag, follower of Panchnikay sect.",Shunga,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI20,Pauni,Inscription (stone),"The incription is read as "" Mahayasa Anthevasiniy…..valiy (?) Danam"". The inscription is in Brahmi characters and Prakrit language.",Unknown,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI21,Pauni,Inscription (stone),"The inscription is in Brahmi characters and Prakrit language and is read as ""Muchrido Nago"".",Unknown,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI22,Pauni,Inscription (stone),"Inscription is in Brahmi characters and Prakrit language. Only some words of the inscription is readible which is "" Day Budha""",Unknown,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI23,Pauni,Inscription (stone),The inscription mentions the donation by monk Yakhdin (Yakshadatta). (Language- Prakrit; Script- Brahmi),1st century BC-1st century AD,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI24,Pauni,Inscription (stone),Language- Prakrit; Scipt- Brahmi. Inscription mention the donation by a Bhikuni Only few words are readible which is Usmita (Usbhamita).,1st century BC-1st century AD,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI25,Pauni,Inscription (stone),Inscription mentions the name of Bhikuni Haliya in Prakrit language and Brahmi script.,1st century BC- 2nd century AD,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI26,Pauni,Inscription (stone),Inscription mentions the name Budharakhit (Budhrakshit) in Prakrit language and Brahmi script.,1st century BC- 2nd century AD,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI27,Pauni,Inscription (stone),Script- Brahmi; Language- Prakrit,1st century BC- 2nd century AD,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI28,Pauni,Inscription (stone),Script- Brahmi; Language- Prakrit,1st century BC- 2nd century AD,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI29,Pauni,Inscription (stone),"Inscription is read as ""Matiy Pasad"". Possibly Matiy is the donator. The language of the inscription is Prakrit and script is Brahmi.",1st century BC- 2nd century AD,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI30,Pauni,Inscription (stone),The insciption mentions donation by the woman named Satika. The language of the insrciption is Prakrit and script is Brahmi.,1st century BC- 2nd century AD,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI31,Pauni,Inscription (stone),Insription mentions the donation given by the bhikhuni named as Goh in Prakrit language and Brahmi script,1st century BC- 2nd century AD,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI32,Pauni,Inscription (stone),"Inscription is damaged only last word is readible which is ""Thik"". According to Deo 1984: 262, the Thik is last words of a persons name. Inscription is Prakrit language and Brahmi script.",1st century BC- 2nd century AD,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI33,Pauni,Inscription (stone),This inscription is incomplete. However the name Kan (Krishna) is readible probably it is the name of Doner.,1st century BC- 2nd century AD,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI34,Pauni,Inscription (stone),"Inscription is in Brahmi characters and Prakrit language. It mantions the name ""Agidev (Agnidev)"".",1st century BC- 2nd century AD,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI35,Pauni,Inscription (stone),The inscription is completely damaged.,1st century BC- 2nd century AD,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI36,Pauni,Inscription (stone),"Inscription is damaged but the word ""Vaniy"" is readible. Language- Prakrit; Script-Brahmi.",Unknown,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI37,Pauni,Inscription (stone),"Inscription mentions the donation by Valnak, son of Grihapati Nandan.",Unknown,Epigraphic evidence,Yes,None,,,,,,,,,,
PNI38,Pauni copper plate of Pravarasena II,Inscription (copperplate),"The set of four copper plates was discovered by Shri Ramchandra Narayan Wakadiker whilst digging in the ramparts of Pauni. (Kolte, V. B., 'Pauni plates of Pravarasena II', Epigraphia Indica, vol XXXVIII, part II, April 1969, pp. 53-57).

The charter was issued from Pravarapura and records the donation of land measuring 50 nivarttanas by royal measure to Duggaryya, a student of the Rigveda and part of the Aupamanyava gotra. According to the inscription the land is located in the 'holy place of Achalapuka' and was given in exchange for another plot of land. The grant was issued in the 32nd year of Pravarasena II's reign and provides the last date for the rule of Pravarasena II - showing that he ruled at least 32 years. (Kolte, 1969, p. 54).",Vakataka,Epigraphic evidence,No,None,,,,,,,,,,
PNI39,Pauni,Inscription (stone),This inscription is in Brahmi characters and Prakrit Language. It records the donation made by Bhagdatta.,1st century AD,Epigraphic evidence,No,None,,,,,,,,,,
PNR05,Paunar,Seal impression,"Made up of baked clay and reddish in colour; oval in shape; measuring 9 1/2x 7 cms.; inscription read as ""Nama Purushotama""",2nd century AD,Numismatics,No,None,,,,,,,,,,
PNR06,Paunar,Clay bulla,"1.51 gm, 23 x 17 mm. Obverse- A Roman bust to right wearing didream, all surrounding by a border of dots. The object has a loop inbuilt to pass a thread for using as an ornament. Reverse- Blank",Early Historic,Not specified,No,In the private collection,,,,,,,,,,
PNR07,Paunar,Copper amulet,"Made by repousee technique and it bears two holes at the desired place above the head of the ruler. 2.32 gm, 22 mm. Obv: A Roman bust similar to that of Emperor Augustus to right, uncertain legend around. The object has two holes at 11 oclock to pass a thread for using as an ornament. Rev: Repousee image of the bust of the emperor to left.",Early Historic,Not specified,No,Found by Narayan Deshmukh,,,,,,,,,,
PNR14,Paunar,Inscription (stone),"This inscription is inscribed on the sculpture of Ganga in Brahmi script of 6th century CE and is in Sanskrit language. The inscription is read as ""Ganga Bhagvati""",6th century AD ,Epigraphic evidence,No,None,,,,,,,,,,
PNR15,Paunar,Inscription (stone),Language- Sanskrit; Script- Devnagri.,Unknown,NA,No,None,,,,,,,,,,
PNR16,Paunar,Sculpture (single),"""Bust fragment of a female figure with a
halo (prabhavali) at the back indicative of
its divine qualities; it is shown wearing a
jatiimukuta and with the tresses falling over the nape and the shoulders in long
spirals. Of the other details, only the
elongated ear-lobes (pralambakanJa-piisa)
can be distinctly made out. The image is much
defaced and worn out.It is carved in red
sandstone of inferior quality which accounts
for its present state of preservation.""",6th-7th century AD,Iconography,No,"Onstylistic grounds, the figure, which may have probably once belonged to a group of saptamiitrikas, can be ascribed to c. 6th-7th Cent. A. D., as it bears a striking resemblance to the devotees sculptured in Cave No.7 at Aurangabad.
",,,,,,,,,,
PNR17,Paunar,Sculpture (single),"""The head, probably of a female figure,
of red sandstone; its facial features are
completely obliterated. The coiffure is
curious and interesting and resembles a
wig (churna-kuntalai. The hair is parted
in the middle and arranged in two large
parallel rolls along the parting line
on either side. The criss-cross pattern
of the hair is indicative of its being secured
in a net (jiilikii). In the left ear, which only
is intact, she wears a circular ear ornament,
probably a disc (tiuanka-chakrai. On the
basis of its stylistic peculiarities, the figure
can be assigned to circa 5th-6th Century
A. D."" ",5th-6th Century AD,Iconography,No,"similar figures in terracotta are found in large numbers in the Gupta levels in Central and Northern India.
",,,,,,,,,,
PNR18,Paunar,Sculpture (single),"""Fragment, a plaque of red sandstone carved
in bold relief and depicting mother and
child. Its portion below the breasts is
missing. The female figure is characterised
by sharp, prominent acquiline nose, bulging
eyes and protruding lips; the full round
breasts, betoken of fertility, are carved with
a small circle each to show the nipples. The child on the right is probably held in the
left hand. The coiffure is extremely stylized;
the hair is parted in the middle and is possibly
combed back into a roundish bun
(dhammilla). She also wears a necklet
(kanthi) and the necklace is seen resting in
the hollow of the nestling breasts.""",2nd-3rd Century AD,Iconography,No," It bears a family resemblance with the later Satavahana terracottas found in Maharashtra and may, therefore, be assigned to the latter
half of 2nd Cent. or the first half of 3rd Cent. A. D.",,,,,,,,,,
PNR19,Paunar,Sculpture (single),"""Fragment of a sculptured piece depicting
a standing Jina in the kiiyotsarga posture;
it is carved in low relief. It is a product
of crude workmanship and only the bare
outline of the figure is discernible. It is
apparently a late specimen assignable to
circa 7th-8th Cent. A. D.""",7th-8th Century AD,Iconography,No,None,,,,,,,,,,
PNR20,Paunar,Sculpture (single),"""Fragment of the torso of a seated figure;
it is completely worn out and no details can
be made out.""",Possibly Medieval,Unknown,No,None,,,,,,,,,,
PNR21,Paunar,Sculpture (single),"""An image of Ganesa carved of red sandstone;
it depicts the elephant-headed god seated
on a modest throne. It has two hands
of which the right one is missing; the left
hand, holding a bowl of sweets, is slightly
raised. He is shown eating the sweets in
his left hand by the trunk. His outspread
ears resemble a winnowing basket (surpa).
He wears bejewelled bracelets in his hands,
and an anklet on each leg. The dotted
pattern on the sacred thread which is seen
resting over the left shoulder and passing
below the right arm, is indicative of its
being made of pearls (muktiiyajfiopavita).
The protruding belly is secured by a
jewelled band (udarabandha); its two hands
and the restrained use of ornaments is
betoken of the early stage of development
of the iconography of the god.""",6th Century AD,Unknown,No, The specimen can be compared favourably with that sculptured on the doorway of the Siva temple of Bhumra (Dist. Panna).,,,,,,,,,,
PNR22,Paunar,Sculpture (single),Head portion of a male on sandstone.,Vakataka,Iconography,No,None,,,,,,,,,,
PNR23,Paunar,Sculpture (single),Head portion of a female on sandstone.,Vakataka,Iconography,No,None,,,,,,,,,,
PNR24,Paunar,Sculpture (single),"""This sculpture narrates Pralambasuravadha. In this Balrama is shown combatting a demon holding his neck with his right hand and pushing his body forward by pressing his knee against the back of the demon"".",Vakataka,Iconography,No,This panel was identified by Mirashi as Vali-Sugriva-yuddha,,,,,,,,,,
PNR25,Paunar,Sculpture (single),"In this panel"" Balarama is shown killing demon Denuka. This panel was wrongly interpretted as Vali-Vadha…..in this Balarama is shown standing along with Krishna and other cowherds….holding the hind legs of the demon who was in the form of the ass, with his right hand. On the top right some palm trees, one having the forepart of an ass, on its leaves, and below a person is fallen on the ground and trying to rise"".",Vakataka,Iconography,No,This scene was identified by Dhavlikar as fight between Rama and Ravana.,,,,,,,,,,
PNR26,Paunar,Sculpture (single),This panel depicts liberation of Vasudeva and Devki,Vakataka,Iconography,No,None,,,,,,,,,,
PNR27,Paunar,Sculpture (single),Balarama-Revati: This panel which was left unnoticed by scholars describes Balarama-Revati ,Vakataka,Iconography,No,Earlier C.S. Gupta identified this sculpture as Krishna and Rukmani,,,,,,,,,,
PNR28,Paunar,Sculpture (single),Nanda-Vishada,Vakataka,Iconography,No,None,,,,,,,,,,
PNR29,Paunar,Sculpture (single),Parthasarathi,Vakataka,Iconography,No,None,,,,,,,,,,
PNR30,Paunar,Sculpture (single),Ganga: A beautiful life size image of Ganga is in high relief and slightly damaged. Both the hands are lost and face is mutilated. It has a usual iconography of the river Goddess. She is shown standing on Makara and holds a pitcher in her left hand. A label inscription at the bottom gives the name of Goddess Ganga Bhagvati.,Vakataka,Iconography,No,None,,,,,,,,,,
PNR31,Paunar,Sculpture (single),"Shiv-Linga of Panchayatana type: It shows four Dikpalas viz., Indra, Yama, Varuna and Soma seated on their respective mounts on the four sides of the linga.",Vakataka,Iconography,No,This siv-linga possibly finds mention in Vakataka grants.,,,,,,,,,,
PNR32,Paunar,Sculpture (single),"Standing figure of Siva, holding a long staff in his right hand and and the left hand is resting against his thigh and a serpent is coiled in his thighs.",Vakataka,Iconography,No,None,,,,,,,,,,
PNR33,Paunar,Sculpture (single),Scupture of ascetic seated in Dhyanmudra and Padmaasana.,Unknown,Unknown,No,May be identified with Jain Tirthankaras,,,,,,,,,,
PPR01,Padmapur,Sculpture (single),"Sculpture of saraswati; 4 ft 7 inch in ht.; four handed; holding Vina in two hands and in other two hands lotus and thadpatra pothi; halo; devotees on right hand side and swan on left hand side; insccription on pedestral- 4 inch width and 2 ft 4 inch in length, Devnagri script, 11 words, read as ""- - - ra-ya-na-pu-tra-bha-tta-dra-va""",Between 9th and 12th century AD by various scholars,Epigraphic evidence,No,None,,,,,,,,,,
PSN01,Parshivni,Sculpture (single),Mahalaxmi Sculpture; 90 cm in height and 42 in width.Four handed ; lion at bottom on left side; ,11th-12th century AD,Iconography,No,None,,,,,,,,,,
PSN02,Parshivani,Seal stamp,"This agate seal-stamp (14 mm x 10 mm) was found on a hill near Parseoni (Parshivni) village, approximately 25km north of Nāgpur, in 1940. The stamp is incribed with four characters (aksharas). The legend, written in Sanskrit, reads 'Jitaṁ Bhagavatā', which translates as 'Victory has been attained by the Lord'. This phrase is sometimes found at the beginning of ancient Sanskrit records, but only occurs in one other record from Central India: the Ṛiddhapur plates of the Vākāṭaka queen Prabhāvatīguptā. However, there is no evidence that this seal-stamp was associated with this Vākāṭaka queen. The same legend has also been noted on clay seals from Vaiśālī, where it occurs together with religious symbols and the names of private individuals and trade guilds. This demonstrates that it was a common and auspicious formula.

The characters of the seal-stamp date to the 4th century CE.

(Mirashi, V.V., 'Some Seal-Stamps From the Central Provinces', Journal of the Numismatic Society of India, 3: 99-102). ",4th Century AD,Epigraphic evidence,No,None,,,,,,,,,,
RDP02,Rangdhampeta,Sculpture (single),Saptamatrika sculpture,Unknown,NA,No,None,,,,,,,,,,
RPP03,Repanpalli,Sculpture (single),"Sculptures dating to the Vakataka period, recorded as being housed inside two temples (one dedicated to Shiva, the other to Ganesha) at Repanpalli",Vakataka,Unknown,No,None,,,,,,,,,,
RSO02,Risod,Inscription (copperplate),Fragmentary copper plate,Vakataka,Epigraphic evidence,No,None,,,,,,,,,,
RTK03,Ramtek (Laxman Temple),Inscription (stone),Inscription is in Sanskrit language and nagari characters and possibly belongs to the reign of Yadava king Singhan or Ramchandradev. It records the Provision made by a person named Ragav for the construction of Lakshman temple.,13th Century AD,Epigraphic evidence,No,None,,,,,,,,,,
RTK08,Ramtek (Ramagiri),Sculpture (single),"Find spot of Varaha sculpture. ""The sculpture of Varaha is severly murilated and only traces of Prithivi are preserved. This devine animal wears an ekavali which is not a feature of large Varaha of Ramagiri.""",5th century AD,Iconography,No,None,,,,,,,,,,
RTK16,Nr Ramtek,Architectural fragments (carved),"Fragmentary architectural fragment, currently preserved in modern shrine",Early Medieval,Stylistic,No,,,,,,,,,,,
RTK19,Ramtek,Bricks,Brick remains re-used in construction of Late Medieval tombs. Not possible to date conclusively ,Unknown,NA,No,,,,,,,,,,,
RTK22,Ramtek,Architectural fragments (carved),"Isolated stone column, preserved in modern town. Not possible to date conclusively",Unknown,NA,No,,,,,,,,,,,
RTK28,Ramtek,Architectural fragments (dressed stone),"Large dressed stone slabs, re-used to face the embankment of water tank west of modern town. Not possible to date conclusively",Unknown,NA,No,,,,,,,,,,,
RTK30,Ramtek,Sculpture (single),"Fragmentary stone sculpture, preserved in modern temple structure",Vakataka,Stylistic,No,,,,,,,,,,,
RTK31,Ramtek,Bricks,Brick remains re-used in construction of Late Medieval tombs. Not possible to date conclusively ,Unknown,NA,No,,,,,,,,,,,
RTK63,Ramtek Outskirts,Sculpture (single),"Fragmentary stone sculpture, badly eroded. Preserved on modern shrine platform",Vakataka,Stylistic,No,,,,,,,,,,,
RTL01,Ramtola,Sculpture (single),Stone images of Mother goddess in Low relief ,Unknown,NA,No,Excavated by the Contour Bunding Branch of the State Agriculture Department.,,,,,,,,,,
RTP02,Ritpur (Riddhpur),Inscription (copperplate),This copper plate records the land grant by Prabhavati Gupta to a brahmin. It was inscribed by Prabhusih.,Vakataka ( 19th year of Pravarasena II reign),Epigraphic evidence,No,None,,,,,,,,,,
RTP03,Ritpur (Riddhpur),Inscription (copperplate),Inscription is inscribed in Sankrit language and Box headed script. It records the grant of village Kadambgiri to a brahmin named Matradcharya and his 8 sons by Nala king Bhavatvarman. It is inscribed by Chull.,5th-6th Century AD,Epigraphic evidence,No,None,,,,,,,,,,
SGD01,Sanglud,Inscription (copperplate),"Garud icon and ""Shrijuddhasur"" is inscribed on the seal-ring; South Indian Nagari script",Shaka era 615 (693-94 AD),Epigraphic evidence,No,Rashtrakutta geneaology from Durgraj to Nannraj,,,,,,,,,,
SKD02,Shrikhanda,Terracotta figurine,Terracotta head with mark on the forehead,Vakataka,Iconography,No,The morphological features belongs to the Vakataka Period.,,,,,,,,,,
SNG02,Shengaon,Sculpture (single),"Sculptures of Vishnu, Brahma, Shiv and Uma- Maheshwar",Unknown,NA,No,None,,,,,,,,,,
SNR03,Savner,Sculpture (single),"Fragmentary stone sculpture, depicting Narasimha",Vakataka,Stylistic,No,"Sculpture found and recorded in association with settlement site (SNR01)
",,,,,,,,,,
SRR01,Shirpur,Sculpture (single),Sculpture of Kiratarjun shiv; 2 ft 8 inch in ht; four handed- bow and Damru in  left hands and Khadag and trishul (trident) in right hand,Medieval (600-700 B.P) ?,NA,No,remains of Yadava Sculpture,,,,,,,,,,
SRS01,Sirso,Inscription (copperplate),"3 plates of 0.4 inch thick, tied by ring (3 inch) having seal of Garud Icon. Each copper plate is 9-10 inch in length and 7 inch in width.",Rastrakuta - Shaka era 725 (AD 803),Epigraphic evidence,No,1) Prominent information regarding Rashtrakuta; 2) Jharika Copper plate,,,,,,,,,,
SSV01,Sisve,Inscription (copperplate),This copper plate inscription (Sanskrit)  is issued by Rashtrakutta king Govind III. It records the grant of village Sisve (in Manak) and some land from Morgan to a  Risiyappbhat (resident of Dharashiv) by the king. It was inscribed by Arunaditya (son of Vatsaraja),"21 August, 807 AD",Epigraphic evidence,No,None,,,,,,,,,,
STD01,Sitaburdi,Inscription (stone),This stone inscription belongs to the reign of Kalyani Chalukyan king Tribhuvanmalladev Vikramaditya VI and is corrupted sanskrit language and Nagari characters. It mentions the donation of Vasudev (son of Dandanayak Padmanabh Bhatt and resident of Latlaur).,8th April 1087 AD ,Epigraphic evidence,No,None,,,,,,,,,,
TDS03,Talegaon Dashasar,Sculpture (single),"Sculptures of Yadava period, including icons of Vishnu,
Garudavahana Vishnu, Uma-Maheshawara, Narsimha, Indra, Mahisasuramardini, Ganesa and
Varaha with devotees.",Yadava,NA,No,None,,,,,,,,,,
TGN02,Teegaon,Inscription (copperplate),"The Tigaon copper plates of Pravarasena II were discovered in this village in 1942 when the house of Kadu Patil was demolished to make way for the Itarsi-Nagpur Central Railway line. Mirashi, (p.63) refers to the plates as the Pandhurna plates even though they were found in the village of Tigaon.

There are five copper plates which record the donation of 2000 nivartanas of land by royal measure in the village of Dhuvavataka (Dhruvavataka) to a number of Br?hma?as. An additional 26 nivartanas in two other villages is recorded in the third plate as being specifically donated to the Brahmana Somarya. Both Mirashi, (p. 64) and Shastri (p. 34-35) argue that this third plate is actually a forgery, inserted into the charter at a later date to benefit Somarya.

The first part of the donation, of the 2000 nivartanas was issued in exchange for the earlier donation by Prthivisena I of the village of Vijayavalli-vataka. The charter was issued in the 29th year of Pravarasena II reign and was issued from the temple of Pravaresvara. (Shastri, pp.32-33).",Vakataka,Epigraphic evidence,No,None,,,,,,,,,,
TLG03,Talegaon,Sculpture (single),"Sculptures of Siva, Vishnu and Parvati ",Early Medieval,Iconography,No,None,,,,,,,,,,
TRD02,Tirodi,Inscription (copperplate),"The four Tirodi copper plates were discovered in manganese mines at Tirodi in the 1930?s and were first published by Mirashi in 1933-34 (Epigraphica Indica XXII).

The copper plates date to year 23 of Pravarasena II and record the donation to Varunarya, a resident of Chandrapura, of the village Kosambakhanda in order to gain religious merit for both Pravarasena II and his mother Prabhavati Gupta. According to Mirashi the charter was written following the direct order of Pravarasena II. (Mirashi, pp. 48 ? 52)

Wikipedia page (http://en.wikipedia.org/wiki/Tirodi_copper_plates)",Vakataka,Epigraphic evidence,No,None,,,,,,,,,,
TTR02,Thutra,Sculpture (multiple),"Sculptures of Parvati, Bhairavi, Bhairav and Devotee",13th-14 th century AD,Iconography,No,None,,,,,,,,,,
VDB01,Vidarbha,Seal impression,"Baked clay sealing of diameter 3.5 bearing two lined legend in box headed Brahmi characters. The legend read as ""[Ma] hasenapatish=shaurika=putra; sya mahadandanayaka-Shri-Sena [sya?]""",Vakataka,Epigraphic evidence,No,In the collection of Dr. Major M.K Gupta of Burhanpur (M.P),,,,,,,,,,
VJS02,Vijasan temple,Sculpture (multiple),Sculptural fragments that appear to be depictions of the Buddha and related figures,Satavahana,Iconography,No,Presumably from the nearby site of Vijasan cave (VJS01),,,,,,,,,,
WGN02,Wadgaon,Inscription (copperplate),Inscription is issued by the Vakataka King Pravarasena II and is in Sanskrit language and box headed script of southern style. It records the donation of land from Velsuk village (in Supratishtisth) to a brahmin by the name Rudray.,Vakataka (25 year of Pravarasena II),Epigraphic evidence,No,None,,,,,,,,,,
WRG02,Wairagad,Sculpture (single),"Chitale records a sculpture of Parvathi in Bhillin attire; 4 ft 7 inch in ht; four handed- bow and damru in left hands, blessing gesture and trident in right hand; tribhanga position",Unknown,NA,No,Iconographic style of the Pavarthi sculpture is similar to the sculptures of the Markhandas. An ancient temple of Ekori is in vicinity.,,,,,,,,,,
WSM06,Washim,Inscription (copperplate),"Mirashi refers to these copper plates as the 'Basim' copper plates (p. 93-100) whilst Shastri refers to them as the 'Washim' copper plates (Shastri, p. 37-40).

The four copper plates were discovered by Pandit Vasudev Sastri Dhanagare (Mirashi p. 93) in the town of Washim, which stands on the site of the ancient town of Vatsagulma. The plates are from the Vatsagulma branch of the Vakatakas and were produced for Vindhyasakti II in the 37th year of his reign.

The charter records the donation of the village Akasapadda to fourteen Bramanas by Vindhyasakti II. The charter records the names of the Br?ma?as and the share of the village which they were given. (Shastri,p. 38). According to Shastri the charter is important in that it proves that Pravarasena I, who ruled as part of the undivided family, had at least four sons who all became kings, which until the discovery of this charter had not been satisfactorily proven. (Shastri, p. 39)",Vakataka,Epigraphic evidence,No,None,,,,,,,,,,
YVM02,Yavatmal,Inscription (copperplate),"Two copper plates of this charter were rescued from a coppersmith's melting pot in Yavatmal by R. M. Saklecha. Saklecha acquired them for Prashant P. Kulkarni.

According to Shastri, when compared to other Vakataka inscriptions it is possible to argue that the plates recovered represent the second and last plates of a charter. (Shastri, p. 95) The charter is dated to the 26th year of Pravarasena II reign and records the renewal of a donation of an area of land and two house sites in the village of Latakapalli to Indrarya and Svamideva. That this charter records a renewal of a previously granted donation makes the Yavatmal copper plates very unusual in the corpus of known Vakataka inscriptions. The inscription was written by Bappadeva, who is also mentioned in the Siwani and Wadgaon Vakataka inscriptions. (Shastri, pp. 95-96)",Vakataka,Epigraphic evidence,No,None,,,,,,,,,,