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Published November 20, 2025 | Version v2
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Musicology as data science and heritage science

  • 1. ROR icon Centre National de la Recherche Scientifique
  • 2. ROR icon Utrecht University
  • 1. ROR icon Utrecht University
  • 2. ROR icon Jagiellonian University
  • 3. ROR icon National Research Council
  • 4. Haute École Spécialisée de Suisse Occidentale - Genève
  • 5. ROR icon University of Padua
  • 6. CNRS Délégation Paris B
  • 7. University of Malta
  • 8. ROR icon Fund for Scientific Research
  • 9. ROR icon Universität Hamburg
  • 10. ROR icon Haverford College
  • 11. Research Centre of the Slovenian Academy of Sciences and Arts
  • 12. ROR icon Universitat Politècnica de València
  • 13. ROR icon Ministry of the Interior and Kingdom Relations
  • 14. ROR icon University of Wrocław
  • 15. ROR icon Karol Lipiński Academy of Music in Wrocław
  • 16. University of Oslo
  • 17. ROR icon Comenius University Bratislava
  • 18. ROR icon Masaryk University
  • 19. ROR icon University of Oxford
  • 20. ROR icon University of Liège
  • 21. ROR icon University of Rijeka
  • 22. ROR icon University of Würzburg
  • 23. ROR icon Consejo Superior de Investigaciones Científicas
  • 24. ROR icon University of Bern
  • 25. RISM Digital Center
  • 26. ROR icon University of Geneva
  • 27. Consejo Superior de Investigaciones Científicas (CSIC), Institución Milá y Fontanals de Investigación en Humanidades
  • 28. ROR icon Musikwissenschaftliches Seminar Detmold/Paderborn
  • 29. ROR icon University of Huddersfield
  • 30. Institute of Musicology Slovak Academy of Sciences
  • 31. ROR icon Centre National de la Recherche Scientifique
  • 32. ROR icon Slovak Academy of Sciences
  • 33. Sveučilište u Zagrebu Muzička akademija Zagreb
  • 34. Staatliches Institut für Musikforschung Preussischer Kulturbesitz
  • 35. ROR icon University of York
  • 36. Biblioteka Narodowa

Description

This collective guide explores the transformative intersections of musicology with data science and heritage science in theEuropean context. It positions musicological research as both a model for and contributor to broader cultural heritage, analyzingits tangible and intangible dimensions. The report  reviews advances in research infrastructures, including the European Open Science Cloud, ECHOES, and E-RIHS, highlighting challenges and opportunities for integrating music into transnational heritage frameworks. It surveys the complexity of music data — notation, audio, metadata, and visual sources — and emphasizes standardized methods for cataloging and preservation. The text critically assesses legal, policy, and technical barriers to digitizing and reusing musical materials, advocating for legal reforms and open science principles. New publication paradigms are proposed, leveraging digital tools to expand access and impact. The role of musicologists in public engagement, education, and fostering research communities is underscored as crucial for sustainability. Best practices and collaborative models link musicological data to broader digital humanities and preservation strategies. Ultimately, the guide calls for active participation in European policy and research networks to enhance musicology’s role in shaping and disseminating cultural heritage for future generations.

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