Published November 6, 2025 | Version 0.1.0
Software Open

Open Music Ontology

Description

The Open Music Ontology (OMO) is a minimal, non-authoritative bridge vocabulary designed to connect open cultural heritage and research metadata with common music-industry identifiers and release categories.
It does not introduce new conceptual models; instead, it reuses and links existing standards from both the public and commercial domains — including DCAT-AP, DCTERMS, EDM, CIDOC CRM, Records in Contexts (RiC), ISRC, ISWC, and DDEX.

Developed within the Open Music Observatory, OMO provides a lightweight semantic layer for integrating sound-recording, work, and release information across library, rights-management, and research datasets.
It supports interoperability in initiatives such as the Slovak Comprehensive Music Database (SKCMDb) and Open Music Europe data spaces.

This record contains the ontology’s Turtle (.ttl) source file and related documentation.
Version 0.1.0 is a proof of concept, released for community review and feedback.

Files

omo.pdf

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Additional details

Additional titles

Subtitle (English)
"A minimal, non-authoritative bridge vocabulary that connects open cultural heritage and research metadata with common industry identifiers and release categories (version 0.1.0 - proof of concept)

Related works

Is supplement to
Report: https://zenodo.org/records/16539570 (URL)
Is supplemented by
Technical note: https://zenodo.org/records/17492178 (URL)

Funding

European Commission
OpenMusE - OPEN MUSIC EUROPE (OPENMUSE) – AN OPEN, SCALABLE DATA-TO-POLICY PIPELINE FOR EUROPEAN MUSIC ECOSYSTEMS 101095295

Software