There's a New Artist in Town. The Name Is Biden. Simply amazing... Source: https://www.nytimes.com/2020/02/28/arts/design/hunter-biden-art.html **There’s a New Artist in Town. The Name Is Biden. Hunter Biden, his name forever linked to President Trump’s impeachment, says painting “is literally keeping me sane” after years of addiction and poor choices.** By Adam Popescu Published Feb. 28, 2020 Updated Feb. 29, 2020 LOS ANGELES — Dressed in Oxford boots, jeans and a long sleeve T-shirt, Hunter Biden ushered a reporter down a stone walkway, into a pool house-turned-art studio in the Hollywood Hills. It was filled with colorful works of decorative abstraction — psychedelic florals and ethereal patterns that look like nature viewed through a microscope, leaning toward the surreal. There were nearly 100 of them, all by his own hand. Some were signed RH Biden, for Robert Hunter Biden, the 50-year-old son of the former vice president. Get a guide to navigating the political news cycle — every day by email. “What do you see?” he asked, shifting bottles of ink and a bamboo wok brush. The more critical question might be: How does it look to the outside world? For an “unknown” artist, his name is very well known, for all the wrong reasons. President Trump’s request for foreign help to investigate Mr. Biden’s role with a Ukrainian gas company, Burisma, set the president’s impeachment in motion. Republicans continue to press for a separate investigation into Mr. Biden’s work for the firm. Democrats worry that his curious overseas dealings could pose a threat to his father’s presidential campaign, should he rally back to front-runner status in the March primaries. Mr. Biden explores the fluidity of ink at his painting studio in Los Angeles. He has no formal art training but has sketched since childhood.Credit...Elizabeth Weinberg for The New York Times Hunter Biden was not certain what the world might say of his new pursuit, but he maintained he was serious. He said he had made a lot of mistakes in his life — he has spoken openly about his history of drug addiction — but becoming an artist, he said, wasn’t an impulsive decision. Painting “is literally keeping me sane,” he said. “For years I wouldn’t call myself an artist. Now I feel comfortable saying it.” Waiting for Doors to Open As an undiscovered artist, he is better situated than most: living in a rented, 2,000-square-foot house in the Hollywood Hills off Mulholland Drive, with a Porsche Panamera in the driveway, plenty of natural light and a pool house he has transformed into an art studio. From the edge of the sloping property — it was leased for $12,000 a month starting last June 15, according to the homeowner — he has a view onto the San Fernando Valley below: Burbank and Universal Studios to the east, the 405 freeway to the west. “See that red barn?” He pointed at a farmhouse perched on the next mountain top — it belongs to the artist David Hockney, he said — then focused on four red-tailed hawks rising on pockets of hot air, a technique called thermal soaring. “Look at that,” he said, craning his neck. “I see them every day. I love watching them.” In the early mornings, he paints in silence in a studio with a TV that does not get cable news. At midday, “I have a rough idea of a finished product, I take a break” and blast country music. “Right now a lot of Sturgill Simpson’s ‘Sound & Fury,’” he said during a reporter’s visit last fall. After the break, he goes back to work, always drawing from memory, never models. Buried in layers of ink were twisting faces and organs, warm yellows to melancholy blues and angry reds — morphing shapes within shapes. He said it can take 14 layers of alcohol ink for the material to adhere to the nearly indestructible Japanese Yupo paper he uses as his canvasses. He blows the ink with a metal straw — it is fast-drying and “has a natural progression, and you have to be really focused in order to be able to alter it to your own imagination,” he said. His fingers and forearms were paint stained, blacks and reds deep under his nails, flecks on his jeans and boots, something his wife, Melissa Cohen, whom he married in May after a weeklong courtship, can’t stand. “I always get my pants dirty,” he said. “I don’t even notice it, but Melissa hates it.” Ms. Cohen, who is pregnant with the couple’s first child, is a South African-born filmmaker in her early 30s who lived in Israel for several years. The day after their first date, Mr. Biden tattooed the Hebrew word “shalom” — for peace — on his left bicep, giving the couple matching tattoos. (He also has a tattoo of New York’s Finger Lakes region on his back, because his mother grew up there.) “It’s very abstract, sometimes very dark,” Ms. Cohen said of her husband’s art. “It draws a lot from nature.” Mr. Biden set out late last year to find gallery representation with the help of Lanette Phillips, who is not a typical artist’s agent. She’s a video producer who ran a management company with clients including Quentin Tarantino and Darren Aronofsky. A longtime Biden family friend, she hosted a star-studded fund-raiser for the former vice president last November at the Pacific Palisades home she shares with Rick Lynch, a partner in an entertainment marketing firm. Mr. Biden did not sign with a gallery, and Ms. Phillips said this week that she is no longer advising him, but Mr. Biden is still setting his sights on exhibiting his work. Normally, the art world is a fine place to make the right friends, attend the right parties, a venue more forgiving than Washington, D.C. But Mr. Biden could have a challenge convincing the public that the word “artist” belongs in his CV, coming after his careers as a lawyer, lobbyist and director of private equity firms. He has no formal training as an artist, but he said that he has sketched off and on since age 7, and that he wasn’t dabbling: “It’s something I’ve taken seriously for a long time but hasn’t necessarily been for public consumption.” Will the Biden name turn the art world off, or make it more interested? “Probably both,” said the collector Beth Rudin DeWoody, the president of the Rudin Family Foundations and board member of the Whitney Museum of American Art and the Hammer Museum. Ms. DeWoody had not seen Mr. Biden’s paintings, but she said she “loves the idea” of this unknown jumping in. “There’s probably going to be a lot of curiosity,” she said. “If he turns out to be a great artist.” Michael Kohn, who owns Los Angeles’ Kohn Gallery, wasn’t so sure. “Too much baggage,” he said, comparing Mr. Biden to actors like Sylvester Stallone or Michael York who tried to cross over but failed to achieve critical success. “The transition doesn’t work because the public perception has been established.” “Depending on his skill level, the paintings could be quite good,” Mr. Kohn added. “However, it will be a long time before he will break into the art world as I and my colleagues know it.” [Story continued on site]