Nas Nuvens... Congresso de Música

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Published December 1, 2024 | Version v1
Conference paper Open

Os desafios interpretativos em Mikrophonie I (1964) de Karlheinz Stockhausen

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Description

O presente trabalho tem o objetivo de compreender os desafios interpretativos por trás da elaboração de novas performances de Mikrophonie I (1964), para tam-tam, eletrônica e seis intérpretes, de Karlheinz Stockhausen. A partir da contextualização histórica da obra e das estratégias empregadas pelo compositor para sua transmissão, pretendemos analisar as escolhas musicais feitas pelo Ensemble Stockhausen na interpretação da peça, considerando criticamente como a versão de referência estabelecida por Stockhausen pode ser utilizada no processo interpretativo da obra.

Abstract (English)

This paper aims to understand the interpretative challenges behind the interpretation of new performances of Karlheinz Stockhausen's Mikrophonie I (1964), for tam-tam, electronics and six performers. Based on the historical context of the work and the strategies employed by the composer for its transmission, the musical choices made by Ensemble Stockhausen in the interpretation of the piece are analyzed critically considering how this version of reference established by Stockhausen can be used in the interpretative process of the work.

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P91 - Desafios de Mikrophonie I – Nas Nuvens - Raphael Vilani.pdf

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Additional details

Additional titles

Alternative title (English)
The performance challenges in Karlheinz Stockhausen's Mikrophonie I (1964)

Identifiers

ISSN
2675-8105

Related works

Is published in
Publication: 2675-8105 (ISSN)

Dates

Submitted
2024-10-25
Accepted
2024-12-01

References

  • DECROUPET, Pascal. How to elaborate an interpretation of Stockhausen's Mikrophonie I. In: ESCOM Conference, 5ª edição. 2003, Hanover. Proceedings of the 5th Triennial ESCOM Conference. Hanover: Universidade de Música e Drama. p. 618-619.
  • MANOURY, Philippe; LINDEMANN, Eric; PUCKETTE, Miller. Keeping Real- Time Electronic Music Alive. Disponível em: <http://msp.ucsd.edu/tools/reality/elind-pma-msp-prop.pdf>. Acesso em setembro de 2024.
  • MIKROPHONIE I. Sylvain Dhomme. Filme em cor, 27 minutos. 1966.
  • MCNUTT, Elizabeth. Performing electroacoustic music: a wider view of interactivity. Organised Sound. Cambridge: vol. 8, n. 3, p. 297–304, 2003.
  • PESTOVA, Xenia, Models of Interaction in Works for Piano and Live Electronics. Montreal, 2008. 97f. Tese (Doutorado em Performance). Schulich School of Music, McGill University, Montreal, 2008.
  • STOCKHAUSEN, Karlheinz. Mikrophonie I. Viena: Universal Edition, 1964. Partitura.
  • _______. Stockhausen on Music: Lectures and Interviews. Londres: Marion Boyars, 1989.
  • _______. Electroacoustic Performance Practice. Perspectives of New Music. Cambridge: vol. 3, n. 1. p. 74–105. 1996.