The Politics of Conjugal Love: The Couple and the Modern Nation-state in Alaipayuthey
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The paper delves into the portrayal of romantic relationships in cinema, particularly focusing on the depiction of heterosexual couples and its implications for modernity and the nation-state. It contrasts Western cinematic traditions, which often prioritize the independent couple as a symbol of modernity, with Indian cinema, where until the nineties, the autonomous couple was not recognized. Drawing on the works of various philosophers and scholars, the paper analyzes the conjugal relationship depicted in the Tamil movie "Alaipayuthey" (2000) directed by Mani Ratnam. Unlike many other films of its time, "Alaipayuthey" presents a modern conjugal relationship where the couple asserts autonomy from parental authority, despite facing challenges. The paper also explores the role of the state in legitimizing and preserving the couple's relationship, highlighting a decisive shift from traditional family dynamics. Through detailed analysis, the paper sheds light on broader societal constructs and their reflection in cinematic narratives.
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