The Soundscape of Man in the Holocene: An Exercise in Sensitization

This paper discusses how the natural soundscape of Max Frisch’s novella Man in the
Holocene (1979) affords a contemplation on the inadequacy of human epistemology against the
immense temporality of the geological deep time. The sound of rain, wind, and
thunderclaps in Frisch’s narrative evokes a vaster temporal scale and constantly
challenges its protagonist Herr Geiser’s faith in science and objective knowledge. Following
Émilie Hache and Bruno Latour’s advocacy of “resensitization,” and Derek Woods’s call for
attention to scale variance and boundaries of our scalar epistemic framework, this article
argues that the interrelation of sound, weather and our senses in Man in the Holocene sheds
light on the limits of an anthropocentric framework of understanding, the discontinuities
between different scales, and how we can reposition ourselves across and inhabit
multiple epistemological scales without losing sight of their discontinuities. Weather is a
profoundly intermingled sensory experience and carries temporally and geologically vast,
non-human agency. By focusing on meteorological phenomena and atmospheric
sound, this paper aims to contribute to the scarce literature on sound in ecocriticism and on natural
soundscapes in the studies of acoustic ecology.